A Quote by Birgitte Hjort Sorensen

It's the prerogative of the writer to rewrite the world into one he would like to exist. — © Birgitte Hjort Sorensen
It's the prerogative of the writer to rewrite the world into one he would like to exist.
There were guys in 'The State' who would take one script and rewrite it and rewrite it and rewrite it and fight for it for a whole season, and after a couple of seasons, you realized that doesn't work. You have to just be willing to throw something away, no matter how good it is, and write a better joke.
I didn't become a good writer until I learned how to rewrite. And I don't just mean fixing spelling and adding a comma. I rewrite each of my books five or six times, and each time I change huge portions of the story.
I rewrite everything, almost idiotically. I rewrite and work and work, and rewrite and rewrite some more.
That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about.
Writing: I certainly do rewrite my central myth in every book, and would never read or trust any writer who did not also do so.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
Being a woman writer, I would be deceiving myself if I said I write completely through the eye of a man. There's nothing bad in it, but that does not make me a feminist writer. I hate that name. The tag is from the Western world - like we are called the Third World.
Where I thrive is with my hands on the keyboard or my pen on the paper. One of the things I get to do is I get to rewrite. I rewrite, and I work hard on my scripts. You can rewrite until you're 'perfect,' and that's something that's safe for me.
It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything. If I could, I'd completely rewrite Fargo Rock City, and every sentence would be just slightly different. In all likelihood, most of them wouldn't be any better. Some of them would just be changed back to whatever form they used to be, before I second-guessed myself the first time.
Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.
Universal empire is the prerogative of a writer. His concerns are with all mankind, and though he cannot command their obedience,he can assign them their duty. The Republic of Letters is more ancient than monarchy, and of far higher character in the world than the vassal court of Britain.
I write and rewrite and rewrite and write and like to turn in what I think is finished work.
You cannot teach creativity - how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.
Now, there are some who would like to rewrite history - revisionist historians is what I like to call them.
An artist never works under ideal conditions. If they existed, his work wouldn't exist, for the artist doesn't live in a vacuum. Some sort of pressure must exist. The artist exists because the world is not perfect. Art would be useless if the world were perfect, as man wouldn't look for harmony but would simply live in it.
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