A Quote by BJ the Chicago Kid

When you are making an album, it is about the purpose - you are creating both a concept and vibe, then you follow through with that. — © BJ the Chicago Kid
When you are making an album, it is about the purpose - you are creating both a concept and vibe, then you follow through with that.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.
If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.
When I get ready to do an album, that means I have something to say for the sake of words, and I listen back to all of the things I've been creating and pull things from out of the air to go with them. It's almost like I start creating the album before I even think about creating it.
I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.
I've been building scratch cars my whole life - my passion is taking something that doesn't exist, creating a concept on a blank piece of paper and making that concept real.
The first Garbage record sounds bizarre, it's not a pristine sounding album. We ran everything through stomp boxes and through samplers and that definitely gave it a vibe.
There's something about taking a film from concept to script, through production, and then to see the final thing happening in the edit phase. It's almost like a miracle in the making.
I'd like to do a concept album, with the concept being about me.
Here's what's nice about life: Sometimes you have ideas and for the most part, they're not good ones. And then you'll follow through with a handful of them and sometimes you'll be pretty disappointed. And then other times you'll follow through and you'll go, 'You know what? It's nice to be right.'
Here's what's nice about life: Sometimes you have ideas and for the most part, they're not good ones. And then you'll follow through with a handful of them and sometimes you'll be pretty disappointed. And then other times you'll follow through and you'll go, 'You know what? It's nice to be right'.
For me, promotional thing about some new album coming out destroys a lot of the excitement of making records. Records, movies, books - they're not supposed to be like math books. The purpose of them is to kind of take us out of ourselves and give us some sort of alternate experience or respite. To try to maximize the relationship of listening to a record through promotion is like experiencing driving a car by reading about stimulus programs. It kind of defeats the purpose.
I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'
When I think about creating abundance, it's not about creating a life of luxury for everybody on this planet; it's about creating a life of possibility. It is about taking that which was scarce and making it abundant.
I'm a fan of creating the mood and vibe with flowers, candles, and music. I love making my guests feel like it's not formal and they can relax in my home.
The whole 'Djesse' project is, like, the paramount example of something that has evolved alongside me creating it. It started as one album, and then I realized that I had too many ideas for just one album.
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