A Quote by BJ the Chicago Kid

Have you seen the oddest couple in the world, to your eyes, walking down the street? That means there's someone for everyone. — © BJ the Chicago Kid
Have you seen the oddest couple in the world, to your eyes, walking down the street? That means there's someone for everyone.
If you're walking down the street in L.A., people do sort of look at you like you're a hooker because it's so rare to see someone just walking.
I told my students the other day in class, which is about the spirituality and creativity as much as it is about music. I said, 'If you're walking down the street and you see a baby carriage, and there's a baby in the carriage; you look down and your eyes meet the eyes of the baby. The baby looks at you: That's the kind of moment you're in when you're playing.
It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.
When you see a married couple walking down the street, the one that's a few steps ahead is the one that's mad.
So today if you see a person who looks like your teenage fantasy walking down the street, it's probably not your fantasy, but someone who had the same fantasy as you and decided instead of getting it or being it, to look like it, and so he went to the store and bought the look that you both like. So forget it. Just think about all the James Deans and what it means.
I don't always like walking down the street and making sure that I smile and say hello to everybody who's walking their dog in the opposite direction. But I do do it. And it's a small, tiny thing to do. But to me, it means 'I see you. You're not invisible to me.'
There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing - into their mannerisms, the way they smile, or just the way they hold themselves.
I realize I stare at everyone, especially when I'm walking down the street. I'm just a curious person.
So there are ups and downs, but the best is just the looks on people's faces when they meet me for the first time, because I am a real-life, walking, talking giant. It's not every day you see someone like me walking down the street.
Just smiling at someone walking down the street can make the person's day. It's all about paying it forward.
I just use my muscles as a conversation piece, like someone walking a cheetah down 42nd Street.
On a typical day, walking down the street, there are a couple of photographers and then there get to be more and more. It's the most awkward thing, because you have to pretend that they're not there and it drives you nuts.
Sometimes I'll be confident and go into a shop and say, "Hello, yeah, all right," and then the next day, if someone looks at me or talks to me, I just don't know what to do. If you're walking down the street with a baseball cap, you might be fine. But if you're in a pub and you see someone look at you, you think the worst thing in the world now is if they come over. It's a really weird feeling.
When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing - into their mannerisms, the way they smile, or just the way they hold themselves.
The problem is in the type of energy that is directed, either in the act of sex or simply walking down the street or talking to someone.
Looking, Walking, Being, I look and look. Looking's a way of being: one becomes, sometimes, a pair of eyes walking. Walking wherever looking takes one. The eyes dig and burrow into the world. They touch, fanfare, howl, madrigal, clamor. World and the past of it, not only visible present, solid and shadow that looks at one looking. And language? Rhythms of echo and interruption? That's a way of breathing. breathing to sustain looking, walking and looking, through the world, in it.
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