A Quote by B.J. The Chicago Kid

I embrace everybody, but you work everybody and each song at a time to who it is for. I believe that's how you build a palace. You build a palace one block at a time and then you'll have what you want. That's how it goes.
Fanaticism is such a blind stuff that it can never give you any idea as to what is reality. Because whatever you believe into, you build up your own ideas and everything onto it and it's like a fake palace built on a fake idea. And then you go on fighting. If God is one, if His love is one, then how can people who believe in God fight?
What I didn't want to come in with is 'Camelot' in all its pomp and glory. Instead we're looking at how you build a society, how you build a world that people believe in, and how hard it is.
I want a strong border. I do want a wall. Walls do work, you just have to speak to the folks in Israel. Walls work if they're properly constructed. I know how to build, believe me, I know how to build.
The youth gets together his materials to build a bridge to the moon, or, perchance, a palace or temple on the earth, and, at length, the middle-aged man concludes to build a woodshed with them.
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.
We really spend a lot of time on building relationships. And so when everyone is like, 'How do you break so many stories?' it's because I build relationships. I do it the old-fashioned way, and I build sourcing relationships, and then I take advantage of those relationships over time.
Everybody is looking for instant success, but it doesn't work that way. You build a successful life one day at a time.
When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you'll need later.
Simply naming objectives isn't sufficient for a vision. If I say that I'm going to build a large palace, but I don't have any money to do so, then that is not a vision - it's an illusion.
Everybody's an artist. Everybody's God. It's just that they're inhibited. I believe in people so much that if the whole of civilization is burned so we don't have any memory of it, even then people will start to build their own art. It is a necessity -- a function. We don't need history.
The way we built 'Future Shock,' you have a height map and instanced 3-D objects rendering on top - that, believe it or not, is still how we build today. It's our basic paradigm for how to build a space.
In the movies, you want a good story and characters that are honest, but you are also looking for a good director who can lead the ship. That's how we look at business. Everybody has a great idea for a start-up, and so do their relatives, and they tell me, 'You gotta build it.' I say, 'I have to believe in it.'
Everybody's going through a lot of stress these days, no matter how well off you are and how many advantages you have, it's a stressful time in everybody's lives.
I actually spent a lot of time reading about how professional managers work. And how people build bridges.
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