A Quote by Bjarke Ingels
One of the dilemmas of architecture in general is that there is a Catch-22 - you can't actually get to be commissioned to do certain types of building until you've already built that type of building. So it seems to be incredibly hard to get going.
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You see, we don't know what our goals are. We learn our goals only in the process of getting there. "I don't know what I'm building but I'm going to enjoy building it and when I get through building it I'll know what it is." In doing psychotherapy you impress this upon patients. You don't know what a baby is going to become. Therefore, you take good care of it until it becomes what it will.
Live, or die: mere consequences of what you have built. What matters is building well. So here we are, I've assigned myself a new obligation. I'm going to stop undoing, deconstructing, I'm going to start building. What matters is what you are doing when you die... I want to be building.
Concepts differentiate architecture from mere building...A bicycle shed with a concept is architecture; a cathedral without one is just a building.
As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.
NASA needs to decide, along with Congress, what our destination is going to be, whether it's going to be the moon, an asteroid or on to Mars. And we're building a heavy-lift vehicle to get us there and building the capsules that's going to be needed to carry the crew.
I think of what the experience is of going into the building, of spending time in it, and try to get a sense of what the building would be like to work in as well.
we still have the Chrysler Building and the Empire State Building and the Woolworth Building, but it just seems like part of the nature of New York, that it's always shifting.
Right now, at the age of 22, I'm making a living off of this and I'm building, not only just my brand, but I'm also building myself bell-to-bell. I'm building myself when that red light's on and I want to keep doing it.
At a time when too many people want to separate us by building walls, we here in Michigan are going to get back to building bridges together.
Any housing solution that involves paying for industrially produced building materials and commercial building contractors is doomed to certain failure. If houses are to be built at all, in sufficient quantity, they must be built without money. We must go right outside the framework of the money system, bypass the factories, and ignore the contractors.
My dad, he's definitely one of greatest writers of his generation. There is no question about it. When you are that good, when work is that good, you have to appreciate every aspect of it. It's the architecture of it, it's like looking at a Frank Lloyd Wright building or a Lautner building, it's master craftsmanship. Every aspect of it intertwines in a perfectly harmonious way. That's what architecture is at its best and the architecture of my father's music is on that level.
Clearly, if a building is not functionally and technically in order, then it isn't architecture either, it's just a building.
There's a certain amount of world-building that I hold off on until I need it for the story. World building in advance isn't really my thing, maybe because I didn't grow up playing RPG's.
The soul is a temple; and God is silently building it by night and by day. Precious thoughts are building it; disinterested love is building it; all-penetrating faith is building it.
One day, when I came home from work, I accidentally put my car key in the door of my apartment building. I turned it, and the whole building started up. So I drove it around. A policeman stopped me for going too fast. He said, "Where do you live?" I said, "Right here!" Then I drove my building onto the middle of a highway, and I ran outside, and told all of the cars to get the hell out of my driveway.
The philosopher believes that the value of his philosophy lies in the whole, in the building: posterity discovers it in the bricks with which he built and which are then often used again for better building: in the fact, that is to say, that building can be destroyed and nonetheless possess value as material.
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