A Quote by Bjork
People are always going to need physicality; they're going to want to meet other people even more. I've got faith in the physical angle. People have their needs. They won't forget about them.
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I always like to meet the people I'm going to photograph. I need to have a conversation. I need to feel a vibe. I need to see what's going on in the person. I'm not just interested in physical beauty. I really need a personality.
The people I've met -- obviously, the people I'm going to meet after concerts are people that bother to hang around and there's going to be more of a chance of things translating to them because they're going to take more time over it, if they're going to wait around to meet us. But so far, it does seem as if things written down are translating into people actually buying it, that kind of way.
I have yet to meet very many people in the press who are really, truly interested in writing a good story or getting at the truth. Most press people, when they come into an article, have an angle that they want already, so they need points to support that angle, whatever the angle may be.
For some people, every door opens, and they meet just who they need to meet when they need to meet them, all the conditions come together. For other people, there is one problem after the other, even though they are so sincere. And from a Tibetan point of view, this is because of a lack of merit.
Humans are pack animals. In Biblical times, the great market cities in Europe or the United States, people want to be with other people. And in a way, the more that we're isolated, whether we're living on farms and we're only talking to our cell phone, the greater the need we have for group experience. So while people are saying that no one is going to go shopping because it's just inconvenient, and it's not as easy as buying online, why are people going to concerts? Why are people going to museums? Why are they going to sporting events?
There's always something going on, and people need that 45-minute-to-an-hour-and-15-minute break, where they just escape and not worry about bills, health care and God knows what. That, to me, is when you're making great music: when people can just forget about what's going on.
I'm always thinking about that young girl or young boy who doesn't quite know if their music, their messaging, their imaging, their voice is going to pop, if people are going to understand them. So I represent the other and those who feel like they don't even want to be normal. They embrace the things that make them unique.
If you're going to have a kid who engages in critical thinking, you're not going to shut them down when they ask a question. You're not going to settle for "because." You're going to encourage them to ask more. And you want them to understand how other people think.
When I see something that's sensitive, I go, 'You've got to put that out there.' You need to keep the dialogue going and shine a light on the bad guys. If you sweep it under the carpet, people forget about it. People stop talking about it.
Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me.
Is it possible really to love other people? If I’m lonely and in pain, everyone outside me is potential relief—I need them. But can you really love what you need so badly? Isn’t a big part of love caring more about what the other person needs? How am I supposed to subordinate my own overwhelming need to somebody else’s needs that I can’t even feel directly? And yet if I can’t do this, I’m damned to loneliness, which I definitely don’t want … so I’m back at trying to overcome my selfishness for self-interested reasons.
If I've got a problem with one of my clients that needs to get solved, guess what I'm going to do? I'm going to call them up, and I'm going to say, 'Hey, here's what's going on. This is the situation. This thing went sideways. I didn't expect it. Now it's going to take me some more time to get you what you need.' But I'm going to do that upfront.
I don't want this to be a distraction. This has been distracting enough. I'm not going to rehash this going forward. I'm sure other people are going to have questions about it, but we've got a big season coming up.
People can forget about you so quickly and that's not what I want. I want to keep people talking because at the end of the day that's what is going to get you paid. People have to want to care to watch you fight and you have to be relevant.
People have so many expectations when they go out on stage, so many wishes about what their night is going to be: if they're going to meet that person, have a fun time with their friends, have a good high, hear good music. People get drunk and turn into themselves in a way, and they go to experience some kind of emotion. But it's not always about fun. There's a destructive side to it. But I'm more into the empowerment of going out, because it's always been the place where I could be myself and get inspired. Even if I'm sad, dancing is a way to let stuff out.
When I was in New York I heard many people saying that the independent film industry was in big trouble. I was reflecting on this when I came home. Realizing that ever since I started filmmaking, people have being saying that. But somehow it keeps going. Filmmakers keep going. We need stories to make sense of the world and some people like me are driven to tell them. I have faith this will always be possible.
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