A Quote by Bjork

I was very aware when I went to the Academy Awards that it would probably be my first and last time. So I thought my input should really be about fertility, and I thought I'd bring some eggs.
Very early, I thought I would go into music, but I was aware that it would bring a set of obstacles I didn't find particularly attractive. Also, I'm not a great performer! For a while, I thought I would do something in landscape gardening. But it was always fashion for me.
Mindfulness is the ability to be aware, to note, to notice. When we apply that to our thoughts and mental habits, we bring a clarity of awareness in seeing what's just an ordinary thought and what's a judging thought that's pejorative or putting us down in some way. So, we first bring that lens of awareness, and then we can do all kinds of different strategies. We can inquire.
Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
About three years went by and I had become exhausted - really at the end of my rope almost - and I thought I couldn't last much longer... and at the very end, when I thought of giving it all up, suddenly I thought it was good. I knew that I now understood something about it and I painted it as easily as you can imagine.
The first time I arrived in Hollywood for the Grammy Awards, I thought I'd bump into people who mattered, such as Ry Cooder or Randy Newman. I was disappointed to see the people I'd always thought of as pop stars. They would charge around the stage rather than enjoy the music.
When I had something I thought God was talking to me about, the first thing I did, before I ever talked to the congregation, was to sit down with the major influencers of the church and share with them what I thought God was speaking to me. I gave them time for input or questions. Many times they would ask questions and I would reply, "I need to spend more time on this. I'm not sure I'm thinking clearly there." Other times they added value and helped make this vision better or more accessible to the people.
There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
Philosophy wasn't about facts, it was about ideas. My first essay title was something like: 'How can you know what other people are thinking?' I thought, 'Wow, what an amazing thing.' I really thought deeply for the first time.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
Even somebody like Bill Clinton, who I happen to admire very much, the second he was out of office, I remember, he was interview in Rolling Stone and he said he thought we should have legalized marijuana. And I thought, gosh, if only you were in some sort of position to affect change in the last eight years where you could have done something about that.
For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.
I started training wrestling in the pre-social media era and I was very cautious - I thought, 'I can't have people know my real last name.' So I changed my last name to End because I always called myself 'The End.' I thought that was cool. I thought I'd take my real first name and my 'fake' last name, and that's how I came up with Tommy End.
When I met Raj Kundra for the first time, I thought my whole life would change. I thought I'd get big breaks. I never thought Shilpa Shetty's husband would make me do wrong things.
For the first time in a long time, I actually look at her. I've always thought Lena was pretty, but now it occurs to me that at some point - last summer? last year? - she became beautiful.
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