I write my own lyrics completely on my own. Sometimes I have people helping me with concepts or like choruses and stuff sometimes, but mostly I write all my own songs by myself, especially the verses and a lot of the choruses.
I write mostly in my office in the shed outside at home, but it can get very cold. I write best on the train, among people. As a writer you spend so much time away from people.
Largely I write from life. ... I write from what happens to me. Mostly about love. People notice the other stuff more but I write mostly about love.
My music is a mix of everything, mostly my own life. I just write about things that mean something and that I can write about. There's no point in pretending.
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
When I write a novel, I am God at my own typewriter, and there is nobody in between. But when I write a screenplay, it must be a compromise because there are so many elements which are outside the writer's province.
The idea that we should write towards the unknown aspects of our experience was totally groundbreaking for me. It gave me the license I needed to try to write outside myself. This attitude has deeply informed my approach to fiction, emboldening me to write characters with voices or situations that are vastly different from my own.
I realized that if you're trying to reach an audience, being as subjective as possible and really trying to write from something genuine is the way to go. Really it's mostly from my own process, my own experience.
History is an account, mostly false, of events, mostly unimportant, which are brought about by rulers, mostly knaves, and soldiers, mostly fools.
I see managers with my own eyes walking out of jobs and then walking into jobs, getting sacked and then walking back into another job... yet we can't even get an interview.
The kind of response I hope for when I write my novels for children: to give them a chance to recognize something of their own feelings -- about themselves, their parents, their friends -- and their own situation as a kind of subject race, always at the mercy of the adults who mostly run their lives for them.
I want to preserve a certain unknowing about my own poems - perhaps because unknowing is in itself a useful poetic thirst. To move the perimeter of saying outside my own boundaries is one reason I write.
I write mostly positive reviews. I don't write about places that don't interest me.
Most people think in order to validate yourself as an artist, you have to write your own songs. I commend the guys that do. I've done it. But I also think that you can pick great songs outside that you didn't write that can help your career.
I've never invested myself properly in trying to write stories. When I write lyrics, mostly I write each sentence separately on an index card and then I lay them out and I just mix them up.
Walking on rocks, hurts. Walking on glass, cuts. Walking on hot coals, burns. Walking on someones heart, kills.