A Quote by Bjork

Since I was a kid, I always wanted to figure out how to make a bass line that was a pendulum - like, gravity would control it, and then you could make it play different notes.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
I've always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.
Ive always loved movies since I was a kid. I loved how they could make me happy, sad, or just show me different parts of the world and people. So when I was about six, I decided that that was what I wanted to do: make movies.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
I just wanted to go out and make a record that Ive always wanted to make since I was a kid.
I just wanted to go out and make a record that I've always wanted to make since I was a kid.
I wanted to get out in the world, have a great job, make my mark, and see how far I could go. And I wanted to make good on the philosophy my mother drilled into us with all the subtlety of a Lady Gaga performance. I got it loud and clear. I would need to succeed, and then I could possibly be happy.
Marvin Bell always looked very closely at how lines could break, how you could put over one line into the second line. How you could stop the line two or three times within the line: You could make it stop.
I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun.
I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction.
When I was a kid, I'd watch pro football on TV and I'd see someone make a play and I'd say, 'I wish that could be me.' But then I'd have to wonder, 'Could I make that big play?'
I always wanted to be a fiction writer, but I couldn't figure out how you could be a novelist and make any money, which continues to be a problem for novelists the world over.
I knew from the start that I wanted my life to be about music. I taught myself the notes of the piano aged three, and then I spent the next few years deconstructing chords to figure out how to play them. At 11, I researched online the sort of music school I wanted to attend, printed out the details, and handed them to my parents.
If you're going to play bass, then play bass how you play bass. You can learn technique and theory, but we want to hear what you have to offer.
I used to come home and play piano all day by ear and make songs up or figure out my favourite Elvis songs. I'd make up games by blindfolding myself and singing the harmony to whatever notes I'd play.
I didn't write my speech until the night before, and even then I refused to write it out like I would say it, preferring to keep cribbed notes I could come back to if necessary. I wanted this to feel like a conversation because it was what I wanted to say that mattered, not how it looked on paper.
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