A Quote by Bjorn Ulvaeus

Folk music is where I come from originally. The very first thing that introduced me to playing guitars at all was skiffle - my cousin had been in London the summer that skiffle was big.
Even today, skiffle is a defining part of my music. If I get the opportunity to just have a jam, skiffle is what I love to play.
There was this big skiffle craze happening for a while in England.... Everybody was in a skiffle group..All you needed was an acoustic Guitar, a washboard with thimbles for percussion, and a tea-chest- you know, the ones they used to ship tea from India- and you just put a broom handle on it and a bit of string, and you had a bass..you only needed two chords; Jing-jinga-jing jing-jinga-jing jing-jinga-jing jing-jinga-jing. And I think that's basically where i've always been at. I'm just a skiffler, you know. Now I do posh skiffle, that's all it is.
Skiffle was a name that was attached to what was, in essence, American folk music with a beat.
As a developing musician, skiffle became a platform for me to start playing music.
Skiffle was blues featuring a washboard and acoustic instruments. It encompassed blues, with elements of folk, jazz, and, at times, American country-and-western music.
Even though I grew up playing folk music - and surf music, originally - I was listening to Motown and Stax on the radio as well. That music always resonated with me.
Early on I was more interested in gypsy jazz music until rock and roll came around and I listened to a lot of Buddy Holly, Eddie Cochran and skiffle singer Lonnie Donegan.
As soon as I heard skiffle, I loved it and I knew that I wanted to play it.
My parents liked to go dancing, and they encouraged all of us to bring our friends home. My brother had a skiffle group, and there would often be dancing in the house. And my parents would come and dance with us.
When Kenny first came to me, I think he was thinking of making a nice little folk record, but in my opinion, folk music had come to an end and I felt he needed to go to the next step, the next generation.
Northeastern folk music influenced me from a very young age. Sachin Dev Burman is one of the inspirational musicians in Indian film music. The way he fused folk music with his signature style is amazing. So, I am aware of the beauty of northeast folk music.
I change guitars as they come and go. I have one I played for almost a decade, but I've put it away. It was the first McCarty. Now, I'm playing one I grabbed off the line. I've been playing it ever since.
If someone asked what kind of music I play, I wouldn't say I'm a folk singer; however, if folk music means music for the people, and playing music to entertain them and share different messages, then sure, I'd like to think that I'm part folk singer.
I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.
When I first moved to London, there was talk of a folk revival, with annoying names like nu-folk that made me feel slightly ill.
I never had any lessons. When I first started playing I used to read music. I was very interested in music. But when I started playing in groups I did a silly thing and dropped it. It's great if you can write things down.
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