A Quote by Bjorn Ulvaeus

There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters. — © Bjorn Ulvaeus
There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.
A lot of my work involves criss-crossing London to visit the many hundreds of projects, theaters, galleries, museums and groups that comprise the capital's astonishingly rich cultural life.
There's definitely a melancholic ingredient in our concerts in the United States versus in other places. Many times people feel far away from their place of origin, from their traditions, from their people. And in a way, Café Tacvba's music brings them memories. It seems to connect them with all that they miss, because the concerts are very emotive and have lots of energy. We're very fortunate to have our music connect in that way.
Here was a man with loads of talent, loads of ability, lots of love to give; but that had been stifled and aborted. I became very fond of that character.
I grew up as a kid being able to attend concerts, go to art museums. Santa Barbara was a rich cultural community, and I had access to everything. I think that shaped me as an artist.
A country that has few museums is both materially poor and spiritually poor...Museums, like theaters and libraries, are a means to freedom.
The vibrant, real historic Christian faith is very wide and leaves lots and lots of room for varying perspectives. It's very diverse and wide, that's part of it's strength, life and vibrancy.
I grew up in a town where there were no galleries, no museums, no theaters - a very religious, ultraconservative community.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
The north of Sweden is very socialist and poor. They feel left out and despise Stockholm in many ways because Stockholm has become new liberals and much more Americanized.
To be honest, I've been back to Atlanta a couple of times, I can't remember what for. One for a big conference, a radio conference. I feel like it's a vibrant place. It has a vibrant music scene.
The arts scene in Baltimore is really rich and very vibrant. It's one of the untold stories of the city.
Museums provide places of relaxation and inspiration. And most importantly, they are a place of authenticity. We live in a world of reproductions - the objects in museums are real. It's a way to get away from the overload of digital technology.
Whatever art offered the men and women of previous eras, what it offers our own, it seems to me, is space - a certain breathing room for the spirit. The town I grew up in had many vacant lots; when I go back now, the vacant lots are gone. They were a luxury, just as tigers and rhinoceri, in the crowded world that is making, are luxuries. Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
I think so many great artists are flocking to LA because the downtown art scene is so vibrant, there is cheap living and you can really flourish as an artist there. There is an unbelievably supportive and really smart, talented theatre audience in LA full of young, hungry, vibrant people. It's something that sort of makes me think of what New York must have been like in its downtown theater scene in the 1980s - before my time.
My dad took me to loads of concerts when I was growing up.
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