A Quote by Black Elk
And I saw that the sacred hoop of my people as one of many hoops that made one circle.
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I was standing on the highest mountain of them all, and round about beneath me was the whole hoop of the world. And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being. And I saw that the sacred hoop of my people was one of many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all children of one mother and one father. And I saw that it was holy.
And I say the sacred hoop of my people was one of the many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all the children of one mother and one father.
Everything an Indian does is in a circle, and that is because the power of the world always works in circles, and everything tries to be round. In the old days when we were a strong and happy people, all our power came to us from the sacred hoop of the nation, and so long as the hoop was unbroken the people flourished.
I have a lot of friends who have hula-hoops, it's like a mixture of dance and athletics and exercise, meditation. It's a healthy hobby I think. I can do a few tricks, I can hoop from my neck and shoulders, and I can do a few moves, a few tricks! I can walk through the hoop whilst it's spinning. I feel like there's definitely an interest in promoting the hula-hoop as an important pastime!
To our way of thinking the Indians' symbol is the circle, the hoop. Nature wants to be round. The bodies of human beings and animals have no corners. With us, the circle stands for togetherness of people who sit with one another around the campfire, relatives and friends united in peace while the sacred pipe passes from hand to hand. To us this is beautiful and fitting, symbol and reality at the same time, expressing the harmony of life and nature.
I love having my hoop earrings. Just regular gold hoops.
'Hoop Dreams' brought us back to our roots in veríté filmmaking. What we saw in the powerful emotional scenes within it - at nearly three hours long and with no star power - was an outreach to a different and more important audiences. There were the similarly involved folks who saw it that were part of the struggle, but there was also a new audience that weren't empathetic or sympathetic to the people we were portraying. They would never watch a film about inner city families, but they watched 'Hoop Dreams.'
We are all connected to each other, in a circle, in a hoop that never ends.
My grandma used to have a backyard and we put a hoop, a shaky hoop, up there. We used to just shoot at it. We shot at it so many times, we broke it. We had to get a better one, because that one wasn't good at all.
The geometry of judgment is a circle. Hate is a snake that turns to consume itself from the tail, a circle that diminishes to a point, then to nothing. Pride is such a snake, and envy, and greed. Love, however, is a hoop, a wheel, that rolls on forever. We are rescued by those whom we have rescued. The saved become the saviors of their saviors.
My view was that the campaign had been a sacred thing, that it had been a real compact, because I was there and I saw the connection that Clinton made with people, and the connection that they made with him.
My parents always wonder why I work round the clock and I never had an answer, until one day I came across a street full of Oyos. I saw so many families and friends on holiday there. This made me happy - life had come full circle in that moment!
I'm one of the many people who has said that the Hillary Clinton we know in private was effective, strong, courageous, and funny. And the campaigner we saw was less so, more scripted. Many people have made that observation, and it was my observation, too, but I'm grateful for what she did.
I always say, it's not the shoes; it's the player. If you can hoop, you can hoop.
None of our films look alike, we are very dialectical in our approach to each one, and 'Hoop Dreams' was no exception. That's what I love about documentary filmmaking, we never know where the story is going, we don't know what is going to happen next, and we're inside a culture of people that you have to figure out in many ways. It's a relationship between what you thought might have been the story, and what happens in the 'field.' Out of that comes the story, which was exactly what happened with 'Hoop Dreams.'
Enlightenment is to be outside the circle, the circle of death and rebirth. There is a circle inside you. If you meditate and focus on your third eye, you will see a circle of light.
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