A Quote by Black Elk

After the horse dance was over, it seemed that I was above the ground and did not touch it when I walked. — © Black Elk
After the horse dance was over, it seemed that I was above the ground and did not touch it when I walked.
The true way goes over a rope which is not stretched at any great height but just above the ground. It seems more designed to make people stumble than to be walked upon.
The true way goes over a line that, rather than spanning heights, is hardly above the ground. It appears more decidedly to make one trip than to be walked along.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
After I did the drawings of trees combining them with words, I started doing - I did that for a very short time. Then it kind of - that sort of evolved into just showing the branches of a tree coming down into the trunk and then going into the root system. So I showed both the branches and the roots of a tree, which were about equal. There is as much going on under the ground as is going on above the ground, which you can see.
After 9/11, the U.S. seemed vulnerable for the first time in a long time. We were no longer the superpower that no other country could touch. I thought, 'When and how did that dominance begin?'
Standing above the crowd, He had a voice so strong and loud And I swallowed his façade 'cause I'm so Eager to identify with Someone above the ground, Someone who seemed to feel the same, Someone prepared to lead the way, with Someone who would die for me.
In the first 20 years of my acting life, I did not do any acting. All I did was to wear a jersey, dance, lip-sync to songs, and run after girls over mountains and in the snow.
Dance, my darling dance! If you dance then death can't catch you! Nothing bad can touch you! Dance!
He did not feel the ground under his feet - he thrust himself into the capriole, rose high in the air-forelegs and hind legs horizontal. He soared above the ground, he head in jubilation. Conquering!
The first time I went to see a Second City show, I was in awe of everything. I just wanted to touch the same stage that Gilda Radner had walked on. It was sacred ground.
We walked always in beauty, it seemed to me. We walked and looked about, or stood and looked. Sometimes, less often, we would sit down. We did not often speak. The place spoke for us and was a kind of speech. We spoke to each other in the things we saw.
I have walked into several pubs, and guys in there have said to me, 'My God, you are the girl off the dancing horse.' They have got no idea about dressage, and they said, 'I can't work out whether you make the horse do that or the horse does it itself - we just couldn't tell - but it brought tears to our eyes.'
After I did the first Die Hard I said I'd never do another, same after I did the second one and the third. The whole genre was running itself into the ground.
I'd worship the ground you walked on if only you walked in a better neighborhood.
Imagination is a good horse to carry you over the ground - not a flying carpet to set you free from probability.
Training a horse is above all feeling and trying, according to what you feel, to help the horse and not to force him.
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