A Quote by Black Elk
And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being.
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I was standing on the highest mountain of them all, and round about beneath me was the whole hoop of the world. And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being. And I saw that the sacred hoop of my people was one of many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all children of one mother and one father. And I saw that it was holy.
I saw more than I can tell / And I understood more than I saw.
I'm really creating abstract shapes and relationships that work together. They come together and give the illusion of reality, but they're really abstract shapes. If you look at individual shapes, they aren't the shape of anything, but together they give you the illusion of hills and sun and flowers.
Blake understood. Treated it like a joke, but he understood. He saw the cracks in society, saw the little men in masks trying to hold it together...he saw the true face of the twentieth century and chose to become a reflection of it, a parody of it. No one else saw the joke. That's why he was lonely.
I was there. I saw your sons and your husbands, your brothers and your sweethearts. I saw how they worked, played, fought, and lived. I saw some of them die. I saw more courage, more good humor in the face of discomfort, more love in an era of hate and more devotion to duty than could exist under tyranny.
The things that you saw earlier in your life generally have more power than the things you saw last week.
Human minds are more full of mysteries than any written book and more changeable than the cloud shapes in the air.
the way in which a faith community shapes language about God implicity represents what it takes to be the highest good, the profoundest truth, the most appealing beauty. ... While officially it is rightly and consistently said that God is spirit and so beyond identification with either male or female sex, yet the daily language of preaching, worship, catechesis, and instruction conveys a different message: God is male, or at least more like a man than a woman, or at least more fittingly addressed as male than as female.
I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character.
I saw 'Joy Luck Club' when it came out, so that was early mid-'90s, and I remember seeing it with my long-time collaborator, Mina Shum. We'd just done 'Double Happiness,' and we saw this movie, and we were weeping. Like, shuddering weeping. Weeping more than really the film deserved.
These abnormal aspects included the shapes of UFOs and their behavior. Most of the UFOs seen in the daytime were said to have had simple geometric shapes-discs, ovals, spheres, cylinders-and surfaces that looked like metal. Such shapes are not only nonexistent among known aircraft, but contrary to all known theories of flight, in most cases offering control and performance disadvantages rather than advantages.
The landscape of childhood shapes us as it shapes the characters in our stories. You never forget the sacred places of your childhood.
Memories must enter the bloodstream, must churn awhile through the heart's mill, must be crushed and polished, be nearly forgotten or cling like burs to other stories before they spill forth in purple patterns, shapes of small bones and worm rot, shapes of clouds and the spaces between leaves.
More people saw me than saw Napoleon, Lincoln and Cleopatra. I was better known than Einstein and Picasso. ... I changed the fashion of two continents. The style of the Gay Nineties became the rage ... women were trying to walk and talk like me. Women became more sex-conscious - sex was out in the open and fun.
I'll drown more sailors than the mermaid shall; I'll slay more gazers than the basalisks; I'll play the orator as well as Nestor, Decieve more slily that Ulysses could, And like a Sinon, take another Troy. I can add colors to the chameleon, Change shapes with Proteus for advantages And set the murderous Machiavel to school. Can I do this, and cannot get a crown? Tut! were it further off, I'll pluck it down.
People saw more magic in me than I saw.
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