A Quote by Black Francis
I don't like to have everything all worked out in my head because there's always a chance of it coming out different than you think it should anyway.
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Above all, it's never blind chance: it's a chance that is always planned, but also always surprising. And I need it in order to carry on, in order to eradicate my mistakes, to destroy what I've worked out wrong, to introduce something different and disruptive. I'm often astonished to find how much better chance is than I am.
I feel like I'm being put inside a box, and I'm not necessarily getting a chance. Like I'm not getting the shot that I deserve. So that's what Rare is about 'cause I feel because I am the way that I am, and I don't necessarily fit the mold of a lot of different artists that's out, it's like I'm not getting the chance to show what I can do. So, that's basically all the frustration of that, and everything is pretty much Rare for me anyway.
I've not gotten so much stuff because I improvise in an audition, but I always feel like, if that's the case, the reason is because it wouldn't have worked out anyway with us working together.
If you give anybody the chance, they can always make a decent human being out of themselves. It's the people that don't have a chance, that we look down at like they're monsters or they're animals or that they want something different than the rest of us.
I'm inspired by being in a different town every day - all the people I meet, all the things I see. There's no way of compartmentalizing everything in my head; whatever I'm taking in is coming out in some way. I think I love painting so much because, for me, it's so fast. There's not too much thought in these paintings.
I had run away from home three times. I had been kicked out of three different schools under different circumstances. I was kicked out of everything that I didn't quit. Kicked out of schools. Kicked out of summer camp, the Boy Scouts, the altar boys, the choir, and something else that I can't think of, that I'm proud of. Anyway, that was my pattern. I just began to invent myself early in life, and went out and did something about it.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
I love directing more than anything in the world, and I love being in the editing room. I love cutting. When I'm shooting, I cut it in my head anyway. That's not to say that it always turns out that way, but you have a sense when you're composing a sequence or a scene how you want it to look anyway.
I've always worked out. I've always gone to the gym. But it was always a chore, and it was always, like, 'Man, I've gotta go do this because if I don't I'll get all dumpy and out of shape and then no one will hire me for good roles.'
Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.
I know that sentence is long and has too many joining words in it but sometimes, when I'm angry, words burst out of me like a shout, or, if I'm sad, they spill out of me like tears, and if I'm happy my words are like a song. If that happens it's one of my rules not to change them because they're coming out of my heart and not my head, and that's the way they're meant to be.
People think that since we're on a major label, all of a sudden everyone's telling us what to do and it's really not like that at all. They're just saying you should tour because you can finally get out of debt and everyone's coming out to the shows we sold.
I'm always blowing the speakers out in studios, like, there's smoke coming out of them. I found out that I'm not built for studio monitors. I record and mix down everything in the headphones and then I bring it to the speakers.
I feel like you should be confident in whatever you do, and a lot of my new music [that's coming out] I want people to judge more so than the music I've put out recently, because I feel like it's really changed a lot.
The biggest thing for me coming into the league was my last year in college I didn't think about the NFL one time. I just played ball and went out there and did what I did and let everything take care of itself. It worked out great for me.
There was a great push and pull of what Blink-128 should sound like all the time. Travis Barker comes from a different background than I do, and Tom DeLonge comes from a different background than either of us in terms of what we write and what we think a song should be. Tom pushes me out of a box that I put myself in.
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