A Quote by Black Thought

I used to be a Def Jam artist. I was - I survived Def Jam. — © Black Thought
I used to be a Def Jam artist. I was - I survived Def Jam.
Def Jam commented on one of my Instagram photos once, and all my friends me hit me up, like 'Yoooooo, you signed to Def Jam?'
When Def Jam wanted to sign Method Man, they wanted to sign Method Man and Old Dirty. And Old Dirty wanted to be on Def Jam - everybody, that was like the dream label. But if I had Old Dirty and Method Man on Def Jam, that's two key pieces going in the same direction, whereas there's other labels that needed to be infiltrated.
Def Jam and Roc-A-Fella were two equal entities under the Def Island umbrellas.
I just didn't wanna put the pressure on myself to be in there [Def Jam South] to work as an artist and to have the hat as the executive with other projects.
What made me want to become a recording artist; I was the first artist that was repeatedly asked by a label to record with them. That label was Def Jam Records.
To me, Def Jam put my career on hold. I was used to making 13-14 songs a year, and they trickled that down to nothing.
Def Jam is an iconic label.
I never had to ask Def Jam for anything.
Def Jam is the reason why I started a label.
I was always self-sufficient even when I was with Def Jam.
When people see that we're signed to Def Jam, the perception has changed.
Would I have signed to Def Jam if I knew they was deaf? Nah.
People don't get signed by Def Jam every day on my block.
There's probably a bunch of Power Stripe floating through the Def Jam offices right now.
I pride myself on being the guy who can do Def Comedy Jam and Charlie Rose. And do well on both.
Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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