A Quote by Black Thought

What we do every day onstage, there's lights, there's lots of other musicians, there's an audience, there's a microphone and mic stands - layers of the onion we have to kind of hide behind.
On the microphone, I'm not scared to step up and say, 'This is my ability, this is how good I am.' In other areas of life, I'm not so confident; I'm still adjusting to the photo shoots, all that stuff. But behind the mic, I'm fully confident.
O'Reilly continues to hide behind his microphone.
When you start peeling the onion and uncovering layers and layers of inequity that have been subsidized by government, it makes a lot of people uncomfortable.
I don't want the viewer to be able to peel away the layers of my painting like the layers of an onion and find that all the blues are on the same level.
We love to work together. Especially when he stands behind me at the microphone and we hug.
I missed being onstage behind the microphone. After a while, it was hard to hear another voice singing my lyrics.
I'm actually not an exhibitionist at all. When you get onstage and you get under the lights playing music, I feel more hidden and more alone than anywhere else. You hide behind your music and let your emotions come out through the music.
We in the industry know that behind every successful screenwriter stands a woman. And behind her stands his wife.
Singing is something I do every day - not every other month. When I touch the mic, the same thing happens every time.
Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
I was an onion, layers and layers and layers under a thin, papery skin. If anyone had been able to cut me open, my bitter, irritating juices would have stung their eyes, and they would have cried. Although I couldn't cry myself, much at the time. But no one would cut me open.
I usually like to hide my vocals behind the music. I don't like to hide them consciously, but I have a tendency to prefer the vocal at the same level as everything else and put lots of reverb on it.
I'm trying to change theater, in my own way - not just magic. I say that humbly, because I'm learning every single day. I do 15 shows a week, and every single audience I have is like a test screening for you, when you listen and go, "Really? They laughed at that?" All over the stage I have lines, written onstage, that I'm changing every single day.
I admit it, I do like pickled red onion. I made some the other day. You just slice up the onion, pull it apart and you get these petals and you make a pickling liquid, I make mine sweet and sour.
The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.
I've gotten to where my hair is like my onstage prop; I need to hide behind it and throw it around - it's my slo-mo effect.
This site uses cookies to ensure you get the best experience. More info...
Got it!