A Quote by Black Thought
We record in the spirit of the Berry Gordy camp and Gamble & Huff, where people were writing up to a dozen quality songs within a day because the competition was that hard.
Related Quotes
Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
Berry Gordy is a music legend, and we all know that, but I don't think Berry gets enough credit for his involvement with the civil rights movement.
You just have to find a lawyer that won't let you sign certain things - and I mean the fine print, because I was gone from Phil Spector and signed with Gamble and Huff in Philadelphia, and Phil bought my record contract back from them.
I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.
I really only knew the name Berry Gordy growing up, but I didn't know what he looked like or anything about him.
In Mudcrutch we all wrote songs, and when it got to the focus on Tom and the Heartbreakers, I kept writing songs, but it wasn't anything that was up the Heartbreakers tree, I didn't think - and I don't think they did, either. So I kept writing songs for the hell of it, but I didn't want to make a record just for the sake of making a record.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
To this day, I fondly recall the challenges of building a fire, pitching a tent, climbing a New England mountain, canoeing on a lake. Camp songs still resonate inside me. Competition exists at Keewaydin, of course, but nobody fails summer camp, a nice respite from winters of fortune and misfortune at school.
When I wrote those first songs for the Truckers, songs like 'Outfit' and 'Decoration Day,' those were strong songs, very strong songs. But had I been in the position of writing an entire album at that point in time, I don't think the whole album would have been of that kind of quality.
Nothing surprises me about Berry Gordy.
Berry Gordy discovered more superstars than anyone I know. I grew up in that environment, and I know you can develop talent and market it.
Following in the footsteps of Berry Gordy, I always admire what he did.
When I feel like every day when I get up I'm writing songs, that's the time to make a record.
I think Berry Gordy is a genius, I really do, and it's not a word I throw around lightly. But with all that comes the idiosyncratic behavior of a self-made, talented, creative person, and that's not easy to come up against.
When I was younger it was a lot of quantity over quality. Just writing, writing, writing. Hundreds of songs. Now it's fewer songs. If I write 10 songs I believe 80 percent of them are good and gonna be used.
I worshipped Berry Gordy for the creative dreams he had made come true.
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