A Quote by Black Thought
As we get further into our career we're figuring out how to become more efficient as artists, and doing so many different things is testament to our cohesiveness as the Roots.
Related Quotes
It's strange to play outdoors, especially in the daytime. But we're figuring it out. The rules are different for festival shows - how you talk to the crowd, how you can try to get them involved. Things are just a little different, and I think we've learned to adapt our show.
Our wisdom is all mixed up with what we call our neurosis. Our brilliance, our juiciness, our spiciness, is all mixed up with our craziness and our confusion, and therefore it doesn’t do any good to try to get rid of our so-called negative aspects, because in that process we also get rid of our basic wonderfulness. We can lead our life so as to become more awake to who we are and what we’re doing rather than trying to improve or change or get rid of who we are or what we’re doing. The key is to wake up, to become more alert, more inquisitive and curious about ourselves.
When we multi-task, we are motivated by a desire to be more productive and more efficient. We're often doing things that are automatic, that require very little cognitive processing... Continuous partial attention describes how many of us use our attention today... to pay partial attention - continuously. It is different from multi-tasking.
I think the more you understand myths, the more you understand the roots of our culture and the more things will resonate. Do you have to know them? No, but certainly it is nice to recognise how deeply these things are embedded in our literature, our art.
It is easier to talk about doing things than doing them. Many of us want to exercise more, eat more healthy, be kinder to our loved ones, etc., but unless we have specific milestones about how to do this, our intentions do not match our actions. The HR milestones we lay out offer specific steps along the longer journey to HR transformation.
There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.
You've got to stay positive and go out and work as hard as you can to fix things, and there are going to be adjustments throughout your career, and hopefully it's a long one, so figuring out how to stay out there and get people out is part of baseball.
As artists, we must not go down to the level of the masa; we should bring them up, intellectualize our languages, create classics out of our folk arts. We can do this if we are true to our roots and strive for excellence.
We are loaded down with too many good things, more than we could ever need, while others are desperate for a small loaf. The good things we cling to are more than money; we hoard our resources, our gifts, our time, our families, out friends....how ludicrous it is to hold on to the abundance God has given us and merely repeat the words 'thank you'.
We work so hard as young artists to further our careers or improve our technique, sometimes it gets so easy to not actually go and see things like a play or a film. I think the best way to get better is to see other actors do what they do well.
Every thing, even the so-called timesaving device and energy-efficient machine, comes these days with an elaborate set of instructions for its care and feeding. Buying a machine has become more and more like buying a pet. ... We are time-crunched. Not just by the number of things we have to do, but the number of things we have. In the late twentieth century, things have become our new dependents.
Dallas is more in line with mainstream America. But Houston's farther down on the map where it's a little different. I think it's the slowness of our culture, how we move slow. It's hot in here, you know. We got our own culture, our own slang, a little bit our own way of doing things.
I've learned in my life that things change. Seasons changes, times change. We take different jobs. Our children grow. So, we have to study the people in our lives and adapt to them, because when we do that, we get more out of our relationships.
Have a goal. Know where you want to end up. Knowing where you want to end up is a lot easier than figuring out how to start and how to get there. You will figure out how to get there. Do not chart your career. Trust me; you do not want to chart your career.
World Cup 2003 was the worst phase in my career, but that is now behind me, and I am doing all-out efforts to get my place in the team back and further my career.
I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.
Related Authors
Ani DiFranco Quotes
American
Musician
Bob Dylan Quotes
American
Musician
Brian Eno Quotes
British
Musician
Bruce Springsteen Quotes
American
Musician
David Bowie Quotes
English
Musician
Drake Quotes
Canadian
Musician
Elton John Quotes
English
Musician
George Harrison Quotes
British
Musician
Henry Rollins Quotes
American
Musician
John Lennon Quotes
English
Musician
Madonna Ciccone Quotes
American
Musician
Moby Quotes
American
Musician
Nicki Minaj Quotes
American
Musician
Patti Smith Quotes
American
Musician
Thom Yorke Quotes
English
Musician
Tori Amos Quotes
American
Musician