A Quote by Blair Underwood

Two packed houses. I guess the theater sat 2,700 people every night so it was an amazing experience. — © Blair Underwood
Two packed houses. I guess the theater sat 2,700 people every night so it was an amazing experience.
My original book [Straight to the Heart: Political Cantos] was 1,700 pages. The first editor brought it down to 700; there was a lot that didn't make it in. But at last it's finished. I had a hard time signing off on it. And I was worried about it hurting anyone I loved even indirectly. I sat in my room afterwards for two hours wondering what I had done. I wondered about it being judged and if people would understand.
To me, theater is a spiritual experience. Probably the reason I do theater is it, I guess, comes the closest to feeling like God, or to feeling a spiritual experience that people can have together.
Sure, theater is tough because you're not home at night a lot and you work on weekends - every job has its downside. But to do something that you love doing for two hours a night, that's a pretty sweet gig.
There's no greater feeling than people coming up to me and going, "Man, my father was dying, and we went to see Rush Hour, and it was the greatest night we had in years together. We sat in that theater and we laughed for two hours without stopping. That was just a great memory that I had before my father died."
I love musical theater because it's live. There is no Auto-Tune. There's no second chance. What you see is what you get. You have to be amazing every night.
My mom was probably the biggest influence. She cooked dinner every night. We sat around the table every night. It was a very traditional family.
We went to - I guess it was a legitimate boiler room, and I sat in front of this guy who literally was on the phone with two people at once. They call it double fisting.
I've done so much theater, and yet I never had an experience like 'The Normal Heart.' We could feel the reaction of the audience every night. It was visceral.
Obviously, when you're in theater, you have to be in character. You have to prepare for the unexpected. You have to be able to react to things that don't necessarily happen every night, or aren't supposed to happen every night. And you have to react to it in character. In six months, 192 shows, those things did happen. And the experience of that, the ability to stay in character, I feel like I've learned a great deal.
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
I've been lucky enough to play in the final of a World Cup before, but it's always an amazing experience to walk out at a packed stadium.
It's based not only on what it played like in the theater, but it's also knowing that certain things play differently in a home theater environment. You have different expectations when you're sitting with 700 people than when you're sitting with your friends or family. It's just a different world.
The first time I sat in a theater and watched myself on a screen was an out-of-body experience. It blew my mind.
With TV, you're in people's houses every night. And you have so much time to tell stories. I don't know why I didn't do it before.
I think the New York theater audience is very savvy. Sometimes you get newbies who think they're going to be watching Smash onstage, and sometimes you have people who have been coming to theater for years. It's the combination of those people in an audience that makes for a pretty amazing night - their ability to give each other permission to react and enjoy, in a way that maybe they wouldn't if they weren't sitting next to each other.
Field of Dreams is the only movie - and I saw it in the theater - on an afternoon when I was on location somewhere, and there were like 12 people in the theater. I was just so devastated; I couldn't get out of my seat. And I sat and watched it a second time.
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