A Quote by Blaise Cendrars

Life The machine The human soul A 75mm breech My portrait — © Blaise Cendrars
Life The machine The human soul A 75mm breech My portrait
If everyone worked with wide-angle lenses, I'd shoot all my films in 75mm, because I believe very strongly in the possibilities of the 75mm.
Ours is a time of the machine, and ours is a need to know that the machine can be put to creative human effort. If not, the machine can destroy us.
Keep in mind that if you take a tour through a hospital and look at every machine with on and off switch that is brought into the service of diagnosing the human condition, that machine is based on principles of physics discovered by a physicist in a machine designed by an engineer.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
A human being isn't meant to be some kind of machine designed only for production. No. Human life isn't just for work.
I was hoping to do an impressionist painting, but I wanted a good likeness and I wanted to create a feeling of the lady as a person, as a human being rather than as a figurehead for the monarchy and a pomp-and-circumstance sort of formal portrait. I wanted more of a relaxed portrait.
Nature is a machine. The family is a machine. The life cycle is like a machine.
Nature, of course, has its share in the life of the soul and in numerous manifestations deeply influences human life. But this natural life of the soul is peripheral, mere appendix to the material phenomena of nature.
The human soul, provided it is pure and strong enough, can contact the unseen in waking life as well as in dreams: all that is required is withdrawal of the soul from the tumult of sensory life.
Overwhelmed by the miraculous potentialities of the machine, our human greed has interfered with the biological cycle of human companionship which keeps the life of a community healthy.
And painted portraits have a life of their own that comes from deep in the soul of the painter and where the machine can't go.
A letter is the portrait of the soul.
The human body is an incredible machine, but most people only get out of that machine what their mind allows them to.
Remember that the machine is there to help you, because at the end of the day, you're not playing freestyle chess, advanced chess, human-plus-machine. If you are playing against other humans, it's about winning the game. The machine will not be assisting you, unless you are cheating of course. And since the machine is not there, you have to make sure that everything you learn from the computer will not badly affect the way you play the real game.
Kubrick is a machine, a mutant, a Martian. He has no human feeling whatsoever. But it's great when the machine films other machines, as in 2001.
If mankind is to escape its programmed self-extinction the God who saves us will not descend from the machine: he will rise up again in the human soul.
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