I'm a fiction writer, and fiction is telling the lives of unreal people. But the only way you can learn to do that well is by really understanding the lives of real people.
One of the fantastic things about books, fiction or non-fiction, is the way they give you a chance to look into different lives.
People whose lives are upside down often read fiction. When you're not sure where you'll end up or how you are going to be, and you're looking for some way forward, fiction is a great friend.
General fiction is pretty much about ways that people get into problems and screw their lives up. Science fiction is about everything else.
Mystery, investigation, false leads, solution - we associate that structure with genre fiction, but it exists in our real lives, too. There's no reason why literary fiction shouldn't be able to acknowledge that and make it fresh.
Very seldom in my fiction have I directly used the stories people have told me. I think ripping off people's lives in fiction is dangerous. It also lacks imagination.
I think that prog rock is the science fiction of music. Science fiction speculates on what the future might be and look like and how we'll get there, and yet there's always a central theme of humanity, or there should be. Progressive rock has the same concept of exploration into the parts of the music world that hasn't been explored.
I used to write fiction, non-fiction, fiction, non-fiction and have a clear pattern because I'd need a break from one style when going into the next book.
Oh my God, does art engender humanity? It awakens your humanity. But humanity has nothing to do with political theory. Political theory is in the interests of one group of humanity, or one ideal for humanity. But humanity-my heavens, that's what proper art renders. We have a paradox. Going into the deepest aspects of inner space connects you with something that is the most vital for the outer realm.
Science fiction stories reflect major issues that concern humanity.
Poetry, far more than fiction, reveals the soul of humanity.
Agape's object is always the concrete individual, not some abstraction called humanity. Love of humanity is easy because humanity does not surprise you with inconvenient demands. You never find humanity on your doorstep, stinking and begging.
With the Black Lives Matter movement, a lot of the focus is on the protest and dissent. I'm hoping to dismantle the public notion - for folks outside of the community - of what Black Lives Matter means. It's really about saying that black lives matter: that humanity is the same when you go inside people's homes.
For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.
As we all know, the objective and mission of the photojournalist is to show us the reality of the world. And in order to capture that reality, they go to dangerous and tragic places at the expense of their lives. I see them as the conscience of our humanity; they represent for me what is left of our humanity.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.