A Quote by Blaise Cendrars
A mud-stained sunlight began to splatter the sodden fields, and the hateful, nasal world of birds began to come to life. It seemed to me that I was coming out of a suffocating nightmare and that the low clouds flying before the wind were the shreds of an evil dream.
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When I began to direct, I began to understand and realise that everything that I'd learnt, both in music and dance and in the theatre, seemed to come together as a director, and I began to enjoy it. And slowly I let the acting go.
The clouds were flying fast, the wind was coming up in gusts, banging some neighboring shutters that had broken loose, twirling the rusty chimney-cowls and weathercocks, and rushing round and round a confined adjacent churchyard as if it had a mind to blow the dead citizens out of their graves. The low thunder, muttering in all quarters of the sky at once, seemed to threaten vengeance for this attempted desecration, and to mutter, "Let them rest! Let them rest!
So with the stretch of the white road before me,
Shining snow crystals rainbowed by the sun,
Fields that are white, stained with long, cool, blue shadows,
Strong with the strength of my horse as we run.
Joy in the touch of the wind and the sunlight!
Joy! With the vigorous earth I am one.
My birthday began with the water - Birds and the birds of the winged trees flying my name.
When I began to listen to poetry, it's when I began to listen to the stones, and I began to listen to what the clouds had to say, and I began to listen to others. And I think, most importantly for all of us, then you begin to learn to listen to the soul, the soul of yourself in here, which is also the soul of everyone else.
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings Then a strange blight crept over the area and everything began to change There was a strange stillness The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of scores of bird voices there was now no sound; only silence lay over the fields and woods and marsh.
I stood checked for a moment - awe, not fear, fell upon me - and whist I stood, a solemn wind began to blow, the most mournful that ever ear heard. Mournful! That is saying nothing. It was a wind that had swept the fields of mortality for a hundred centuries.
But evil has been around since the Garden of Eden, and God's plan for victory was designed before the world began. The Bible tells us to fear no evil.
It began as most thing begin. Not on a dark and stormy night. Not foreshadowed by ominous here comes the villain music, dire warning at the bottom of a teacup, or dread portents in the sky. It began small and innocuously, as most catastrophes do. A butterfly flaps its wings somewhere and the wind changes, and a warm front hits a cold front off the coast of western Africa and before you know it you’ve got an hurricane closing in. By the time anyone figured out the storm was coming, it was too late to do anything but batten down the hatches and exercise damage control.
A heartless hand on my shoulder A push and it's over Alabaster crashes down Six months is a long time Tried living in the real world Instead of a shell But before I began I was bored before I even began
I realize at one point, that I was being followed, and then I began to see the surveillance that was going past the road on my house. And so, these cars began to surveil me. People began to follow me around, and it did, it was very disrupting to think that your privacy was being violated, and for no reason that I could come up with.
Waterlilies always come in Buddhist sculpture. The Buddhas all stand on lotus pedestals, because the lotus is grown from the mud. The mud represents the stained world, a dirty world, but growing from the dirt is such a beautiful, pure thing. This is the way the spirit should be.
I was walking along a road one evening – on one side lay the city, and below me was the fjord. The sun went down – the clouds were stained red, as if with blood. I felt as though the whole of nature was screaming – it seemed as though I could hear a scream. I painted that picture, painting the clouds like real blood. The colours screamed.
Before I began The Cider House Rules, I thought I wanted to write about a father-son relationship that was closer, more conflicted, and ultimately more loving, than most. Then I began to think of a relationship between an old orphanage director and an unadoptable orphan - a kid who goes out into the world and fails and keeps coming back, so that the old guy ends up with someone he's got to keep.
Then a dog began to howl somewhere in a farmhouse far down the road, a long, agonized wailing, as if from fear. The sound was taken up by another dog, and then another and another, till, borne on the wind which now sighed softly through the Pass, a wild howling began, which seemed to come from all over the country, as far as the imagination could grasp it through the gloom of the night.
It was a dream, and in dreams you have no choices: either there are no decisions to be made, or they were made for you long before ever the dream began.
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