A Quote by Blaise Pascal

The mind naturally makes progress, and the will naturally clings to objects; so that for want of right objects, it will attach itself to wrong ones. — © Blaise Pascal
The mind naturally makes progress, and the will naturally clings to objects; so that for want of right objects, it will attach itself to wrong ones.
In true meditation the emphasis is on being awareness; not on being aware of objects, but on resting as primordial awareness itself. Primordial awareness is the source in which all objects arise and subside. As you gently relax into awareness, into listening, the mind's compulsive contraction around objects will fade. Awareness naturally returns to its non-state of absolute unmanifest potential, the silent abyss beyond all knowing.
For the same reason that the members of the State legislatures will be unlikely to attach themselves sufficiently to national objects, the members of the federal legislature will be likely to attach themselves too much to local objects.
It is natural for the mind to believe and for the will to love; so that, for want of true objects, they must attach themselves to false.
Just as a car parked on a hill will naturally roll backward when shifted into neutral, we will naturally go the wrong way if we shift our Christian lives into neutral and stop seeking to learn and grow as believers.
When water isn't rippled, it is naturally still. When a mirror isn't clouded, it is clear of itself. So the mind is not to be cleared; get rid of what muddles it, and its clarity will spontaneously appear. Pleasure need not be sought; get rid of what pains you, and pleasure is naturally there.
Strange the affection which clings to inanimate objects - objects which cannot even know our love! But it is not return that constitutes the strength of an attachment.
Women have seldom sufficient employment to silence their feelings; a round of little cares, or vain pursuits frittering away all strength of mind and organs, they become naturally only objects of sense.
Here lies the sense of literary creation to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .
If I want to read S.J. Perelman's Chicken Inspector No. 23 for the third time instead of some anguished, politically correct saga of a girl growing up in a trailer park in Kingman, Arizona, with an alcoholic mother who makes her straighten her naturally curly hair and won't let her date a Navajo boy or pursue her goal of becoming (naturally) a writer, I will. And I will laugh like a lunatic while doing it.
When he tries to extend his power over objects, those objects gain control of him. He who is controlled by objects loses possession of his inner self... Prisoners in the world of object, they have no choice but to submit to the demands of matter! They are pressed down and crushed by external forces: fashion, the market, events, public opinion. Never in a whole lifetime do they recover their right mind!... What a pity!
And first he will see the shadows best, next the reflections of men and other objects in the water, and then the objects themselves, then he will gaze upon the light of the moon and the stars and the spangled heaven...Last of all he will be able to see the sun.
Thwarted, or starved, in the important objects proper to young capacities, the boys and young men naturally find or invent deviant objects for themselves. ... Their choices and inventions are rarely charming, usually stupid, and often disastrous; we cannot expect average kids to deviate with genius. But on the other hand, the young men who conform to the dominant society become for the most part apathetic, disappointed, cynical and wasted.
Technique does not need to be interpreted. It interprets itself. You have to choose the right objects and focus on them precisely and they will tell you their own stories.
If the eye is constantly greeted by harmonious objects, having elegance of form and color, a standard of taste naturally grows up.
The only thing we are naturally afraid of is pain, or loss of pleasure. And because these are not annexed to any shape, colour, or size of visible objects, we are frighted of none of them, till either we have felt pain from them, or have notions put into us that they will do us harm.
Materialism is the recognition of "objects in themselves", or outside the mind; ideas and sensations are copies of images of those objects.
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