A Quote by Blaise Pascal

Vanity is so anchored in the heart of man that a soldier, a soldier's servant, a cook, a porter brags and wishes to have his admirers. Even philosophers wish for them. Those who write against vanity want to have the glory of having written well; and those who read it desire the glory of having read it. I who write this have perhaps this desire, and perhaps those who will read it.
Those who write against vanity want the glory of having written well, and their readers the glory of reading well, and I who write this have the same desire, as perhaps those who read this have also.
Even those who write against fame wish for the fame of having written well, and those who read their works desire the fame of having read them.
We are motivated by a keen desire for praise, and the better a man is the more he is inspired by glory. The very philosophers themselves, even in those books which they write in contempt of glory, inscribe their names.
I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.
Vanity is so secure in the heart of man that everyone wants to be admired: even I who write this, and you who read this.
I myself love to read those Victorian novels which go on and on, and you don't read them in one sitting. You might read one over the course of a summer, but that isn't what I want to write.
The quality which makes man want to write and be read is essentially a desire for self-exposure and masochism. Like one of those guys who has a compulsion to take his thing out and show it on the street.
One can't write without having read - you have to read before beginning to write - and universities offer a very good opportunity to read.
I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.
Writers who don't read can't write well. It's that simple. The more you read, the better you read, the better you'll write. The upside is that you can't read too much, and even 'junk' reading can be constructive.
The best thing about conceptual poetry is that it doesn’t need to be read. You don’t have to read it. As a matter of fact, you can write books, and you don’t even have to read them. My books, for example, are unreadable. All you need to know is the concept behind them. Here’s every word I spoke for a week. Here’s a year’s worth of weather reports... and without ever having to read these things, you understand them.
When I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tombstone, my heart melts with compassion; when I see the tomb of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow: when I see kings lying by those who deposed them, when I consider rival wits placed side by side, or the holy men that divided the world with their contests and disputes, I reflect with sorrow and astonishment on the little competitions, factions, and debates of mankind.
I will write in words of fire. I will write them on your skin. I will write about desire. Write beginnings, write of sin. You’re the book I love the best, your skin only holds my truth, you will be a palimpsest lines of age rewriting youth. You will not burn upon the pyre. Or be buried on the shelf. You’re my letter to desire: And you’ll never read yourself. I will trace each word and comma As the final dusk descends, You’re my tale of dreams and drama, Let us find out how it ends.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
Vanity, or to call it by a gentler name, the desire of admiration and applause, is, perhaps, the most universal principle of humanactions.... Where that desire is wanting, we are apt to be indifferent, listless, indolent, and inert.... I will own to you, under the secrecy of confession, that my vanity has very often made me take great pains to make many a woman in love with me, if I could, for whose person I would not have given a pinch of snuff.
I can't write or read music. I am self-taught and never learned formally. It can be a curse sometimes but I think it's more difficult for those who need the music to read from than for those who play by ear.
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