A Quote by Blaise Pascal

The last thing we decide in writing a book is what to put first. — © Blaise Pascal
The last thing we decide in writing a book is what to put first.
The last thing that we find in making a book is to know what we must put first.
I once read Updike after writing a first draft, and I wanted to put my own book on the fire. I've since learned to read utter crap while I'm writing: pulp is the thing.
You have to remember that Shadow and Bone' was the first book I sold. And it was, in fact, the first book I ever finished writing, despite many attempts before that to finish a novel. And when I was writing it, I didn't know if anybody was going to buy one book, let alone all three.
When I was first writing 'Feed' - which was the first book I published as Mira - I talked about it very openly on my blog, on Twitter, that I was writing this book, and it wasn't until after it was sold that I said 'Mira Grant' wrote this book. And the reason there was really purely marketing-based.
When I read 'Another Country' when I was in my early 20s, you know, as soon as I put the book down, my first thought was, 'I will never be able to write a book like this.' And my second thought was, 'I really want to try writing a book like this for the 21st century.'
I decide my future. I decide what I want to do. Nobody else. If I decide this will be my last year, maybe it is. If I decide it will be my last contract, I decide that. Nobody else. So I will decide when the moment is there.
The most important thing you must decide to do every day is put the Lord first.
The greatest thing about writing a book is that at first it's all inchoate, but the more you work on it, the more the book teaches you its internal rules.
The two things I enjoy the most about writing are the first page of a book and the last. What's in between is very hard work.
Writing is the hardest thing I know, but it was the only thing I wanted to do. I wrote for 20 years and published nothing before my first book.
I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose.
Often they do go back and forth the whole way, and I don't know until the very end what the last line of the book is going to be. That was true here - the very last line of the book was the last thing that happened.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
Writing is so fun precisely because if you take out the right adjective, the readers can decide what kind of book is in their hands. Suspension of disbelief should not be mandatory in contemporary writing.
There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.
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