A Quote by Blaise Pascal
Quand on voit le style naturel, on est tout e tonne et ravi, car on s'attendait de voir un auteur, et on trouve un homme. When we see a natural style we are quite amazed and delighted, because we expected to see an author and find a man.
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When we see a natural style, we are astonished and charmed; for we expected to see an author, and we find a person.
Un auteur ga" te tout quand il veut trop bien faire. An author spoils everything when he wants too much to do good.
Education has a tremendous power on man. Can't we see to which astonishing disciple the people of Sparte have submitted ("s'est plié", Fr.) for centuries, and this with a view to very petty purposes: purely outer greatness, the military predominace of Sparte. This example proves that man can everything on themselves when they want it ("peuvent tout sur eux-mêmes quand ils le veulent", Fr.); therefore it would only be a question of making them will the good.
The habit some writers indulge in of perpetual quotation is one it behooves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c'est l homme, what is likely to happen if l homme is for ever eking out his own personality with that of some other individual?
The proper Science and Subject for Man's Contemplation is Man himself.
[Fr., La vraie science et le vrai etude de l'homme c'est l'homme.]
It's quite simple: One sees clearly only with the heart. Anything essential is invisible to the eyes.
[Fr., Il est tres simple: on ne voit bien qu'avec le coeur. L'essentiel est invisible pour les yeux.]
Le style, pour l'e crivain aussi bien que pour le peintre, est une question non de technique mais de vision. For the writer as well as for the painter, style is not a question of technique, but of vision.
En un mot, l'homme conna|"t qu'il est mise rable: il est donc mise rable, puisqu'il l'est; mais il est bien grand, puisqu'il le conna|"t. In one word, man knows that he is miserable and therefore he is miserable because he knows it; but he is also worthy, because he knows his condition.
There is no desire more natural than the desire of knowledge. (Il n'est desir plus naturel que le desir de connaissance)
Le lecteur, lui non plus, ne voit pas les choses du dehors. Il est dans le labyrinthe aussi. The reader [as well as the main character] does not view the work from outside. He too is in the labyrinth.
Roger (Kellaway) amazed us all. Blessed with great technique, he could play any style, from ragtime to space music. Whatever style he chose to play at the moment would be filled with wonderful surprises that kept the rest of us continually delighted.
I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.
Vivre est un maladie dont le sommeil nous soulage toutes les 16 heures. C'est un pallatif. La mort est le remede.
A blue-stocking is the scourge of her husband, children, friends, servants, and every one.
[Fr., Une femme bel-esprit est le fleau de son mari, de ses enfants, de ses amis, de ses valets, et tout le monde.]
The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.
Le mot 'psychologie'est un de ceux qu'aucun auteur d'aujourd'hui ne peut entendre prononcer a' son sujet sans baisser les yeux et rougir. The word 'psychology' is one that no author today can hear said about her work without lowering her eyes and blushing.
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