Quand on voit le style naturel, on est tout e tonne et ravi, car on s'attendait de voir un auteur, et on trouve un homme. When we see a natural style we are quite amazed and delighted, because we expected to see an author and find a man.
I see the ups and downs. I see the mistakes I've made. I see a funny person. I see a serious person. I see a diamond. I see the good times. I see the bad times. And I see knowledge of self. I see knowledge of self. I know who I am. When I look in the mirror, I see me.
When you're writing first person, all I can see and tell as the author is what that main character can see.
I see blindness more as an ability and sight more as a disability because there are some people with sight who tend to judge others by what they see on the outside but I don't see that. I don't see the skin color, the hair style or the clothing people wear; I only see that which is within a person.
If I ever reach heaven I expect to find three wonders there: first, to meet some I had not thought to see there; second, to miss some I had expected to see there; and third, the greatest wonder of all, to find myself there.
I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world.
When you say to a person of colour, 'When I see you, I don't see you Black; I just see everybody the same' think about that. You don't have the right to say to a person, 'I do not see you as you are; I want to see you as I would be more comfortable seeing you.'
I see the author as the person who has written; the writer, the one involved in the process of writing. And they're not necessarily friends. The writer is the one I want to reinforce; the author would just feed on the reviews - so I'm in favour of starving him.
Read proudly--put the duty of being read invariably on the author. If he is not read, whose fault is it? I am quite ready to be charmed, but I shall not make-believe I am charmed.
I don't have a stylist. That, in a way, is cheating. Put five players in a thrift store and see who has the best style in the end, and then you'll see who has real style.
I think as an older player, there's a kind of natural responsibility or natural role to go around the lads and say a few things. I had it when I came into the team; when you look to the older boys in certain situations to see what they say, see how they act, and see what they expect.
I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.
I’m not sure a lot of other people would walk up to the same artwork and see the shadow on the person’s face from the hat and be like “Do you see that!” It’s about noticing things that interest you, and that definitely happens with the natural world as well.
A natural historian is somebody who looks at something in terms of its relationship to the rest of the natural world. You look at things ecologically. When you see a cow on a feedlot, you don't just see a cow; you see a cow that is eating certain food. You follow that food and that food takes you back to a corn field.
Poets can tell the truth as they see it. It’s the author’s story, the author’s voice.
It is a greater joy to see the author's author, than himself.