A Quote by Blake Bailey

A damnably readable, streamlined, yet deeply researched work. Skipping the ancestors and aftermath of conventional biography, Max gives us the man, his work, and his times-the niceties of which (so complicated, so exquisitely intertwined) Max articulates with, well, Wallace-like lucidity and wit. Above all this is the story of a touching young man who insisted on being something better than simply the smartest person in the room.
While Max appears to greatly admire Wallace as a writer and feel compassion for him as a man, he is never starry-eyed, or pulls his punches. Every Love Story is a Ghost Story is as illuminating, multifaceted, and serious an estimation of David Foster Wallace's life and work as we can hope to find.
It is obvious that Paul did not regard prayer as supplemental, but as fundamental-not something to be added to his work but the very matrix out of which his work was born. He was a man of action because he was a man of prayer. It was probably his prayer even more than his preaching that produced the kind of leaders we meet in his letters.
I am a father. My son's name is Max and my daughter's name is Billie Grace. Twelve years ago Max was born with Down Syndrome. His journey has been complicated by infantile seizures, sleep apnea, dietary challenges and now, puberty!
Twentieth-century man needs to be reminded at times that work is not the result of the Fall. Man was made to work, because the God who made him was a 'working God.' Man was made to be creative, with his mind and his hands. Work is part of the dignity of his existence.
A lot of the book [The Yoga of Max's Discontent] is about karma and rebirth. Things like that are very attuned to my life as an Indian, but when I approach it from a perspective of a Westerner, then I have a skeptical, yet kind of novice view on it. I think that choice really liberated the story to be its own story. A lot of the conclusions that Max reaches on his own are not mine at all. So, I think that allowed the story to take on its own momentum, to have its own propulsive force.
He gives my hand a tight squeeze, but that desperation, that urgency between us is gone. No insecurities. Max and Fang. Fang and Max. No longer a question. We just are.
He that boasts of his ancestors confesses that he has no virtue of his own. No person ever lived for our honor; nor ought that to be reputed ours, which was long before we had a being; for what advantage can it be to a blind man to know that his parents had good eyes? Does he see one whit the better?
I was the son of a publican and a master builder. He ran the Empire Hotel in North Hobart. His name was Max, too. Big Max.
No man is the wiser for his learning; it may administer matter to work in, or objects to work upon; but wit and wisdom are born with a man.
It is an absolutely vain endeavor to attempt to reconstruct or even comprehend the nature of a human being by simply knowing the forces which have acted upon him. However deeply we should like to penetrate, however close we seem to be drawing to truth, one unknown quantity eludes us: man's primordial energy, his original self, that personality which was given him with the gift of life itself. On it rests man's true freedom; it alone determines his real character.
Nothing is more false and more indiscreet than always to want to choose what mortifies us in everything. By this rule a person would soon ruin his health, his business, his reputation, his relations with his relatives and friends, in fact every good work which Providence gives him.
No one looks like Fang-dark and still and dangerous, like he's daring you to set him off. But I'd seen him rocking Angel when she'd hurt herself; I'd seen him smile in his sleep; I'd seen the deep, darkl ight in his eyes as he leaned over me... ~Max; "Max"; page 24
There's a young man hid with me, in comparison with which young man I am a Angel. That young man hears the words I speak. That young man has a secret way pecooliar to himself, of getting at a boy, and at his heart, and at his liver.
Max: "Okay guys, I had a couple thoughts I wanted to go over with you." Iggy: (pretends to snore loudy) Max: (throws another pinecone at him) Iggy: "Quit throwing things at me!" Max: "Glad you could join us.
In different hours, a man represents each of several of his ancestors, as if there were seven or eight of us rolled up in each man's skin, - seven or eight ancestors at least, and they constitute the variety of notes for that new piece of music which his life is.
The happiest man is he, who being above the troubles which money brings, has his hands the fullest of work.
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