A Quote by Blake Crouch

If I had to get lost in a fictional world? I would love to go with those Hemingway characters in 'The Sun Also Rises' when they go on that trip in Spain, and they go fishing. And they take the wine bottles, and they put them in the river.
When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
Bottles of wine aren't like paintings. At some point you have to consume them. The object in life is to die with no bottles of wine in your cellar. To drink your last bottle of wine and go to sleep that night and not wake up.
I'm told that as a child, when my dad was alive, I'd get up, put on my coat and go sit in the back of his car. The driver would just go around the neighborhood - as long as I had my little trip, I was happy.
I don't think acting should be all-encompassing. So, when I'm not shooting, I'll go down to Mexico on a spear-fishing trip for a couple of weeks, or I'll go to the Coral Sea, or I'll go to Panama, or wherever.
You don't have to go fight bulls in Spain like Hemingway to write something great, or go off to war. It's right under your nose.
From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.
I won't go deep sea fishing. The first time I experienced it, I went salmon fishing. My problem is, before I even get to the fish, I have vomited. You have to go out five miles, and you are just throwing a line in and bringing them to the surface. And then you have to go back five miles, and all of a sudden the wind comes up, and it gets choppy.
I had lived in France before graduate school, but because of Spain, I had a lot of the characters go and spend a good bit of time in Spain.
let it go -- the smashed word broken open vow or the oath cracked length wise -- let it go it was sworn to go let them go -- the truthful liars and the false fair friends and the boths and neithers -- you must let them go they were born to go let all go -- the big small middling tall bigger really the biggest and all things -- let all go dear so comes love
We met in April of 2000, and we weren't really an official couple until June or July. His family has a fishing trip they go on every year in Minnesota, so he had invited me to go and meet his whole family. There was, like, no cell phone service at the time; people were using those giant cordless phones that looked like a brick.
I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
Until we see something that is actually wrongdoing, we're probably not going to go on a fishing trip to go see look at.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
I had plenty of opportunities before I went to Spain to stay in England, and I had made a decision that I would go and work in Spain.
'The Sun Also Rises' by Ernest Hemingway is my favorite book. You feel manly reading it.
I don't know if it's a sadistic side or whatever, but you take characters and put them in really awful situations and make them go through that. And it's very satisfying as a director to explore that, to tell those stories and to explore those themes, because it is so human.
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