A Quote by Blake Griffin

I get that question almost more than any other. Once people feel a little comfortable, they're always like, 'So, what, uh, uh, what, um, what's your ethnicity?' — © Blake Griffin
I get that question almost more than any other. Once people feel a little comfortable, they're always like, 'So, what, uh, uh, what, um, what's your ethnicity?'
America is, is no longer, uh, what it, uh, could be, uh, what it was once was, uh, and I say to myself, uh, I don't want that future, uh, for my children.
It was obvious uh, that uh, the situation in Vietnam was far from stable in 1964 and that there, if in fact the United States was going to uh carry out its declared intent to uh, do its best to prevent uh, a Communist overrun of South Vietnam, uh, there would be at least hard choices to make, and there might be a choice for uh, stronger action.
Uh, excuse me, sir, I, uh, don't known how to uh, to uh, tell you this, but you were three minutes late. The schedule is a little, uh, bit off." He grinned sheepishly. "That's ridiculous!" murmured the Ticktockman behind his mask. "Check your watch." And then he went into his office, going mrmee, mrmee, mrmee, mrmee.
Let me get one thing straight; I'm not an authority on sex, I'm more of a fan. I think sex is nice; no family should be without it. Of course, there are other things that are just as important as sex, like uh . . . like uh . . . like . . . uh . . . well, I'll think of it later.
Pulp Fiction is a, uh, gritty, urban satire. Pump Friction is a uh-uh, a bunch of uh, dudes and ladies having dirty sex.
Sexton: I think the whole world's gone mad. Death: Uh-uh. It's always like this. You probably just don't get out enough.
I don't see myself as a pop artist. Like, when you hear 'pop,' you're like, 'Oh, bubblegum, jumpy little girly stuff,' and I feel like, 'Uh-uh. That's not me.'
Anyway, how are you and Ramona doing?' Uh... you know. Pretty good.' Have you said the L-Word yet?' The L-Word? You mean? Lesbian?' Uh... No. The other L-Word.' ?' Okay. Uh, It's "love." I wasn't trying to trick you or anything.
She, uh, came out of the closet recently, my niece. Um... She announced to the family that she's a lesbian and... She's seven, did I mention that? And, uh, I don't even know if she knows what a lesbian is, but I support her completely. And, uh... I'll tell you what's heartbreaking. My sister punished her for it. Can you believe that? No pussy for a week. Which to us may not sound like... But when you're seven, you know, a week is a long time.
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
So it wasn't actually that bad, it took a couple of weeks to sort of get used to uh, you know, standing around and pretending to have ice shoot out of your hand, but once you got used to that it uh, it was actually not that hard.
Uh uh uh, turning the car into oncoming traffic... is counterproductive!
I really feel like if you can get past your fear, if you can say, "Uh-uh, I'm afraid to do that and I'm going to do it anyhow," that that's really the way to have a satisfying life moving forward. I think I had that kind of fearlessness even as a young person. It wasn't tempered by experience or wisdom, but it took me a long way.
So it - we have one enduring, uh, idea that will always live on with the Smothers Brothers, that 'Mom always liked you best.' We're the universal, uh, feeling that every child, every sibling has had somewhere along the line. Or, 'Who did she like best?' And that became kind of a little mantra.
Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.
In the, uh, '30s and '40s, the Brill Building was the hub of, uh, musical activity in Tin Pan Alley in New York City. I believe Irving Berlin was there, and uh, and everything just centered around there.
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