A Quote by Blake Lively
In the olden days, a couple could be in every movie together, but it's just not like that anymore.
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One of these days, I'd like to put together a revue of all my music, which would probably turn into a marathon. There's a couple of hit songs from almost every phase of my career. At the same time, visually, if you don't handle it properly, it could be a cacophony of craziness, because there's just so many different kinds of music.
I'd really like having a couple days of being a rock star, although I'd rather be a backup - like maybe the drummer for Muse It would also be fun to be gorgeous, like be Charlize Theron, just for a couple of days.
I'd really like having a couple days of being a rock star, although I'd rather be a backup - like maybe the drummer for Muse... It would also be fun to be gorgeous, like be Charlize Theron, just for a couple of days.
Everybody thought that Titanic was the most romantic movie ever. A story about two teenagers who knew each other for three days. Try to make that movie with a couple that's been together for a few years. 'Get in the goddamn boat, Rose!' 'I don't wanna get in the boat!' 'Get in, come on, I'm freezing my ass off out here! I wanted to go to Jamaica, but no, we had to go on a cruise in the middle of the winter!' 'You never draw me naked anymore'
I wouldn't mind meeting some of the people I've attempted to portray from the olden, olden days. They probably would all have really terrible skin and horrible bad breath, and I'd have to give them an Altoid.
Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.
You know, because you outline a movie, it kinda comes at the same time. I mean, there are days when you are just concentrating on 'ok, let's worry about just comedy today,' and there are days when you're like 'you know what, we gotta just beef up the story.'. But, it's not like process wise it's that technically separate. One informs the other, so they kinda all happen together ideally.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
The first couple days I didn't realize it that much, but when I look back, I'm just like, 'Wow, I play for Barcelona!' Because everything went so fast the first couple days.
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.
Sometimes it helps to take a couple days off, as weird as that sounds. Every once in a while, I could just shoot so many shots. You can get so, like, intense with it all. It's like in life, right? We're all created for a sabbath day or for a day of rest. You sometimes need that in shooting, too.
Being in the moment with these guys was just a profound experience every day, and when we shoot a movie it's actually a very short process, especially an independent movie like this. It was only thirty five days of shooting.
I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.
Back in the olden days when we were rubbing sticks together, everybody wanted to have a comic strip, to live in Westport Connecticut, to have a Jaguar and to have a wife and two and a half kids and to have a girl in town in their studio in Manhattan that they'd romance, and then they'd have people ghost their strip. It was like this big dream.
I have sensitive skin, so if I shave every day, I go blotchy. I tend to shave and leave it a couple of days. Then a couple of days becomes a week, I look up and I've grown a beard.
I've been in movies where the movie doesn't come together but the role comes together, or the movie comes together but the role doesn't come together or something like that. Something misses. It's very difficult to make it hit on all cylinders - it's just very rare.
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