A Quote by Blake Mills
My favorite experiences have all been finding myself at one point in a timeline and going in both directions, just discovering at my own pace. If I could admit to be playing some kind of long game, and strategizing this, I would.
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If you draw the entire timeline of humanity from the time humans first trod until today, let's just assume that's 10 feet on a timeline. My time on that timeline is so small that you couldn't point it out. Let's say it's smaller than a grain of sand, in that whole 10-foot timeline of humanity. And when I lost my hearing, it happened to coincide with human technology advancing to the point that the cochlear implant existed. If I had lost my hearing five years earlier, I would have had to quit my job. I would have lost my career. I've always been kind of in awe of that reality.
That's the point. Every kind of animal thinks its own kind of animal is wonderful. So people getting married think they're wonderful, and that they're going to have a baby-- that's wonderful, when actually they're as ugly as rhinoceroses. Just because we think we're so wonderful doesn't mean we really are. We could be really terrible animals and just never admit it because it would hurt so much.
Real thick strings - your hands start to get fatigued. As much as you practice, and as much experience as you have, and as long as you've been playing, there is a fatigue point during the show, as with anything that's physical. So I wanted to basically pace myself better.
So what'll happen is there'll be some very good cinema experiences are going to see 3D where you have to pay more. And there'll be some bad experiences of going to see movies in 3D. And I just hope that this kind of gold rush mentality doesn't kill what could actually be something that really, really benefits the industry.
I suppose it's nice that I've made films that some people have heard of and respect. That's great. And it's certainly helpful in some regards, but they're really tough economic prospects. They always have been, and that's not necessarily getting any better. And not just the films, but it's also been a rough 10 years for that independent film market. And so I have stumbled onto this point in the timeline where the kind of stuff that I'm trying to do is not... it was a lot easier to know what to do with it 20 years ago.
The key is developing your game in both directions: in the build-up, joining the attack at the right moment and also in defence. You have to win the one-on-one situations and need the required pace and technique. These are the decisive factors for a defender.
To me living and music are all the same thing. And I keep finding out more about music as I learn more about myself, my environment, about all kinds of different things in life. I play what I live. Therefore, just as I can't predict what kinds of experiences I'm going to have, I can't predict the directions in which my music will go. I just want to write and play my instrument as I feel.
Architecture is not about designing somehting from a free, fanciful idea. It is about discovering and establishing one's own principle, some kind of regularity - finding an individual formula to apply to one's buildings.
That's a good thing for me. I own everything, I have 100% creative control, I own all my masters, everything. I'm blessed to be in that situation. If we sell some records, I think we'll just add to the historic pace that this has been going at.
Speed is what makes the Premiership exciting. The millions who would have watched Manchester United and Chelsea would have seen a non-stop game in which the pace was electric even though the first half was a non-event. You could see a better technical game in Spain but for sheer frenetic movement there is nothing that comes close... Pace is more critical in the Premiership than in any other major league and if you don't have pace, you have to compensate with power or ability in the air and since Shevchenko has no power and is not particularly good in the air, he is in trouble.
Adrian gave the picture a nod of approval before handing me the phone. "Okay, even I can admit that's pretty cute." I found myself overanalyzing the comment. What had he meant in saying 'even he' could admit it? That I was cute for a human? Or that I had just met some kind of Adrian hot-girl criteria?
[Bill Gates] wanted me to stay working at Microsoft, but I didn't think he could be CEO and we could have the family life that we both had growing up, which is what we envisioned. I knew I would go back to work at some point later to some profession. I just didn't know what.
Men of strong minds and who think for themselves, should not be discouraged on finding occasionally that some of their best ideas have been anticipated by former writers; they will neither anathematize others nor despair themselves. They will rather go on discovering things before discovered, until they are rewarded with a land hitherto unknown, an empire indisputably their own, both right of conquest and of discovery.
It's always been too slow for me. Playing. The pace of things. I'm a fast sprinter. The trouble was, after playing in the group for a few months, I couldn't reach that point.
Roblox's strength has always been both capitalizing on the early phase but playing the long-game as well.
Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.
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