A Quote by Blake Mycoskie
Vogue Magazine does something really interesting here: They make it look like I know exactly what I'm doing. Because Vogue made it look like I knew exactly what I'm doing, stores from all over started calling.
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I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
When 'Teen Vogue' started out, 'Teen Vogue' was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to 'Vogue.' And over the years, we've realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
Who doesn't want to shoot for 'Vogue?' I remember updating my Facebook status to say 'Doing 'Vogue' today', it was so exciting. I thought it would be really intimidating, and I don't like photoshoots, but that was the most relaxed one I've done.
The Assault Weapons Ban deals with a fictional distinction. You have guns that are exactly the same guns as are banned, in function, that were banned because of the way they look. And you know, that's the whole truth of this policy: it's to make politicians look as if they are doing something, when in point of fact, they are doing nothing.
There are moments in my life when I feel like I’m exactly where I’m supposed to be, doing exactly what I’m supposed to do. I pay attention to them. They’re my cosmic landmarks, letting me know I’m on the right path. Now that I’m older and can look back and see where I missed a turn here and there, and know the price I paid for those oversights, I try to look sharper at the present.
To be honest, sometimes I'm horrified because you don't really know what you look like. If I really knew what I was doing on-screen, I would try to stop doing it.
I'm all about doing things myself because I find it hard to trust other people. Not trust, but I know exactly what I want to do, and I know exactly how it's supposed to look.
Sometimes people won't be able to relate to you if you look like you're straight out of a full blown 'Vogue' magazine every time they see you.
People call what we do "stretch music." This is our style, and one of the newer, in vogue ways of playing creative, improvised music. It really grew out of me trying to address something that I saw in my everyday life in my neighborhood - trying to develop that and refine that and excavate exactly what that was in a way that, when I communicated it, it was palpable and easily read. That started really early. Why it started was from something that I was really angry about.
Just having the whole control over your body is so important when you're modelling - to just be able to know exactly what you look like and what you're doing.
By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'
You look at, like, a 'People' magazine, which used to be a really good, you know, nice magazine you could go to for real stories. It wasn't like a 'Star' or an 'US Weekly' and they have somebody with plastic surgery on the cover, Heidi Montag. And it's obviously what consumers want, because why else would they be doing it?
Do not look around at what everyone else is doing. No one is asking you to be someone else. But the world does need you to be you, because you are the only one who can do the job. Be the person God created you to be. He made you exactly right.
The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.
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