A Quote by Blake Shelton

I'm not the kind of person who thrives in 'the scene.' — © Blake Shelton
I'm not the kind of person who thrives in 'the scene.'

Quote Topics

I'm not the kind of person who thrives in "the scene." I know that when this is all over, and I'm no longer cool, I'm going to be just as happy because I'm going to be at home.
The person earning the federal minimum wage of $7.25 isn't going out to eat at restaurants. They're not taking piano lessons. They're not going to the gym or the yoga studio. They're not sending mom flowers on Mother's day. What good is this person in the economy? If you raise it to $15 an hour, they're doing all of those things. And all of a sudden, not just business thrives, but small business thrives.
Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.
It's one of those scenarios where no, I never imagined that I'd be directed in a love scene - not even a love scene because it's kind of a hard-core sex scene because it's kind of just purely played for this carnal venting.
A nightmare would be when somebody is trying to be funnier than everyone else. And you've got a group scene or two-person scene, and one person decides, 'I'm the funny in this,' and bulldozes everyone else, and they make sure they're the reason everyone loves the scene.
I believe America thrives when the middle class thrives.
I think the problem with the art market and the art scene is that it is its own beast. It thrives and breathes and defecates independently of the artist.
When the middle class thrives, the country thrives, and when it doesn't, we don't.
One of the things I tried to do is to kind of talk my actors through the scene, but at the same time let them know how I plan to shoot the film and just give them an insight into the way I'm thinking, so that when they're acting out their scene, they can kind of see it in their minds' eyes.
What's great about theater and drama is it thrives on dialogue, and dialogue thrives on people with different points of view fighting for what they want.
Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
I think it's much harder to have a long dialogue scene than an action scene. An action scene is long, but it's not really hard. It's kind of boring, really. It looks good at the end, but to shoot it, it's not the most exciting thing.
Who we are? Us!Right? What kind of people are we? What kind of person are you? Isn't that the most important thing of all? Isn't that the kind of question we shloud be asking ourselves all the time? 'What kind of person am I?
There was always a lot of pressure - I fought on Channel 5 in my first fight and got two million views - but luckily I'm the kind of person who thrives under pressure. I use it to fuel my performances and training, knowing that all eyes are on me and that there's a lot to live up to. It made me harder, tougher and more determined.
I like having a schedule. I tend to be the type of person that thrives on something being regular.
There was a scene cut out of Big Fat Liar where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
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