A Quote by Blue Balliett

The greatest art belongs to the world. Do not be intimidated by the experts. Trust your instincts. Do not be afraid to go against what you were taught, or what you were told to see or believe. Every person, every set of eyes, has the right to the truth.
So, think as if your every thought were to be etched in fire across the sky for all and everything to see.For so, in truth, it is.So speak as if the world entire were but a single ear intent on hearing what you say.And so, in truth, it is.Do as if your every deed were to recoil upon your heads.And, so in truth it does.So wish as if you were the wish.And so, in truth, you are.So live as if your God Himself had need of you his life to live.And so, in truth, he does.
You must believe in your own instincts and your own instincts at any particular time and believe that they were the right ones for any given situation. So, there's no point ever of kind of regretting something because you can't properly remember the exact circumstances in which you were playing out this particular scene. You have to believe in your intuition and your instinct at that moment.
If every museum in the New World were emptied, if every famous building in the Old World were destroyed and only Venice saved, there would be enough there to fill a full lifetime with delight. Venice, with all its complexity and variety, is in itself the greatest surviving work of art in the world.
Most of what we know we don't really know first hand. I've never seen a cancer cell. But I trust this community of experts who have, so I believe that cancer exists. But we trust these experts, and we trust that the experts have a system of checks and balances and self-correction. And we have to insist that experts have certain certifications. They're not perfect. Every once in awhile there's an engine falls off the wing of a plane, or a tax audit happens and you find out your expert made a mistake. But it's a pretty good system. It's the best system we've got.
This nation was built by men who took risks-pioneers who were not afraid of the wilderness, businessmen who were not afraid of failure, scientists who were not afraid of the truth, thinkers who were not afraid of progress, dreamers who were not afraid of action.
When I was just starting out, I met Cartier-Bresson. He wasn't young in age but, in his mind, he was the youngest person I'd ever met. He told me it was necessary to trust my instincts, be inside my work, and set aside my ego. In the end, my photography turned out very different to his, but I believe we were coming from the same place.
They were afraid of your authentic love, because authentic love is beyond their control.You are possessed by it. You? are not the possessor, you are the possessed. And every society wants you to be in control. The society is afraid of your wild nature, it is afraid of your naturalness, so from the very beginning it starts cutting your wings. And the most basic thing which is dangerous in you is the possibility of love, because if you are possessed by love you can go even against the whole world.
I was brought up by a Victorian Grandmother. We were taught to work jolly hard. We were taught to prove yourself; we were taught self reliance; we were taught to live within our income. You were taught that cleanliness is next to Godliness. You were taught self respect. You were taught always to give a hand to your neighbour. You were taught tremendous pride in your country. All of these things are Victorian values. They are also perennial values. You don't hear so much about these things these days, but they were good values and they led to tremendous improvements in the standard of living.
It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine.
Trust your own instincts, go inside, follow your heart. Right from the start. go ahead and stand up for what you believe in. As I've learned, that's the path to happiness.
In every moment of every day, through a thousand individual manifestations of Itself, is Divinity revealing Itself. Yet we do not see. Or we see, but do not believe. We do not believe the evidence of our own eyes. We do not hear the truth in the sounds of silence.
Every art critic and every writer doesn't have a frame to start off from. If I made a statement saying, "This is Abstract Expressionism," they could go, "Well, he failed miserably," or, "Fantastic, this is a new genius!" But in art history, I don't see any of the artists I like spewing bullshit. I don't see anyone recording it or pronouncing what they were doing.
This one question-'What do I know for certain?'-is tremendously powerful. When you look deeply into this question, it actually destroys your world. It destroys your whole sense of self, and it's meant to. You come to see that everything you think you know about yourself, everything you think you know about the world, is based on assumptions, beliefs, and opinions-things that you believe because you were taught or told they were true. Until we start to see these false perceptions for what they really are, consciousness will be imprisoned within the dream state.
Those who taught you were wrong. I have never set down a "right" or "wrong," a "do" or a "don't." To do so would be to strip you completely of your greatest gift - the opportunity to do as you please.
Every time I trust my instincts I land on my feet and every time I don't, I go, "Why didn't I trust my instinct?"
Many with careers in the art world are intimidated, and afraid to speak out against the gospels of Modernist theory.
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