A Quote by Blythe Danner
Maybe subconsciously I've kept activism separate from acting because it's important to me in a more profound way.
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Activism is a way for useless people to feel important, even if the consequences of their activism are counterproductive for those they claim to be helping and damaging to the fabric of society as a whole.
I enjoy them both [singing and acting] a great deal. I have a passion for both. Maybe acting just a little bit more because it's more of a challenge for me, while music comes so easily.
I never studied. I was too afraid. I thought that if an acting teacher had said to me, "You know what, you're not good," I would not have gone any further. It was easier for me to justify going to an audition and getting rejected, maybe because they wanted somebody blonde, maybe because I wasn't experienced enough. I could live with that more easily.
I guess because the shows were activist in their own way - the marriage of my public activism and my career activism, you know - people understand me very well. They also understand there's a very strong bipartisan part in all of this.
The reason why we're not happy is because we believe consciously and subconsciously that we're separate from god, eternal awareness.
I got into acting because my teachers kept nudging me into it. The power a teacher has to influence someone is so great. I can't think of a profession I have more respect for.
Writing is the hardest for me. It doesn't come as naturally as the other forms, and I feel far more dread during the process. Acting and voice acting are more mercurial and maybe come a little easier to me.
You do some acting in a room for a few minutes, hopefully get something out of it that makes you a bit better at acting, and go home. Maybe the people in the room with you liked the acting you did. Maybe they didn't! Either way, it's not the end of the world; you'll be doing this again soon.
I do think that maybe, even subconsciously, a lot of parents in the West are wondering, have we gone too far in the direction of coddling and protecting - you know, you see kids, sometimes that seem very rude and disrespectful. And the more important thing is they don't seem that happy.
Whatever you could do with your hands was important because it kept you in a motion of being able to produce something, and producing something kept you balanced in a way.
Most people call something profound, not because it is near some important truth but because it is distant from ordinary life. Thus, darkness is profound to the eye, silence to the ear; what-is-not is the profundity of what-is.
My mother, when I married, said you must have separate bathrooms and separate bedrooms. That was the only sure way of keeping a marriage alive because it was an invitation as opposed to just being there and that makes it more romantic.
In horror stories or in fairy tales, the fascination with the morbid is also, at least for me, a way to prepare for the unthinkable… That’s why it’s very important for me to show the artificiality of it all, because the real horrors of the world are unmatchable, and they’re too profound. It’s much easier to absorb – to be entertained by it, but also to let it affect you psychologically – if it’s done in a fake, humorous, artificial way.
My whole thing is I want to have a backup plan because maybe I won't get another acting job after 'Fame', maybe I'll want to give up on acting in five years or whatever and I want to have something else that I enjoy just as much as I enjoy acting.
The funny thing is, because I was doing a lot of theater when I was a kid, and a lot of that was musical theater, as I got older I became more interested in acting as a separate entity and music as a separate entity, like songwriting and production and recording and playing music.
Because I think of novels as collaborative enterprises between the writer and the reader, all of my novels so far have ending with endings that maybe point in more than one direction, and that seems important to me because it seems important to me that after you've invested twenty or thirty hours of your imaginative life into this narrative that you have some stake in how it ends.
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