A Quote by Blythe Danner
I loved doing Shakespeare. My two favorite roles, in fact, have been Viola in Twelfth Night and Helena in A Midsummer Night's Dream.
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I got my Equity card playing Helena in 'A Midsummer Night's Dream,' and I think that's the first job I got that was an offer.
The only Shakespeare I ever did was a production of 'A Midsummer Night's Dream' two years in a row in my garden in Rockland County on the Hudson River in the 1980s. I had all the actors from the Actors Studio come out, and we made our own costumes.
I considered several names, but Titania, a character from Shakespeare's 'Midsummer Night's Dream', was best able to portray the image I wanted for what is a fantastically elegant and sexy yacht.
To my mind, 'Dear Brutus' stands halfway between Shakespeare's 'A Midsummer Night's Dream' and Stephen Sondheim and James Lapine's 'Into the Woods'. Like them, it is a play about enchantment and disillusion, dreams and reality.
After making my stage debut aged nine as Macduff's small son in 'Macbeth,' I had played a number of parts, from 'Twelfth Night's Viola to 'The Merchant Of Venice's Portia'.
I love 'Richard III,' but in terms of a general play, 'A Midsummer Night's Dream' has always been a big one for me. It's just so sexy.
Peter Brook's 'Midsummer Night's Dream,' I remember seeing. That was pretty early on. And suddenly, I realized how theatrical Shakespeare is, how alive, how wonderful it is when it's opened up by a great director and a great company.
I'd love to play Puck in 'A Midsummer Night's Dream.'
Helena (Bonham Carter) is one of the coolest kindest women I've ever met. We had so much fun. She has the best sense of humor. I loved her fairy godmother. It came at a point during night shoots where I was exhausted. It was trippy, weird and cold ... and then Helena showed up. It was like this bright light on the horizon; it was wonderful.
I am better off with vegetables at the bottom of my garden than with all the fairies of the Midsummer Night's Dream.
We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
If you expect me to believe that a lawyer wrote A Midsummer Night's Dream, I must be dafter than I look.
I fell in love with acting at around the age of 11, when I was drafted in to play a fairy at an amateur production of 'Midsummer Night's Dream.'
The first drama thing I really got stuck into was 'A Midsummer Night's Dream.' I played Puck. That's when I said, 'I want to be an actor.'
Shakespeare is renewed each time you see it or read it. I've seen 'Midsummer Night's Dream' so many times, and each time it's a little different, or a different line leaps out at me. It's like re-reading a good book over and over, always noticing something you hadn't seen the time before - and that's rare.
As an actress and comedienne, I'm a huge fan of he theatre and the Tricycle in Kilburn is my favourite in London. I dragged my kids to a performance of 'Twelfth Night' there, where they handed out pizza. Who knew that all it takes to get children interested in Shakespeare is a snack?
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