A Quote by Blythe Danner

My earliest memories of Gwyneth first singing is in bed when we would make up songs. The most I could do was harmonize, like, a third above, and at two years old, she'd be doing sixths. I said, 'Where in the world did that come from?' She'd just make up songs.
When she awoke there was a melody in her head she could not identify or recall ever hearing before. 'Perhaps I made it up,' she thought. Then it came to her - the name of the song and all its lyrics just as she had heard it many times before. She sat on the edge of the bed thinking, 'There aren't any more new songs and I have sung all the ones there are. I have sung them all. I have sung all the songs there are.
I want you to say dreadfully mad, funny things and make up songs and be--' The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall hit you with my umbrella." *** "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. “There,” she said. “There is Will. Isn’t that better? Don’t you think so?” “I don’t know,” Will said, eyeing her. “I’m afraid to answer that. I’ve heard that when I speak, it makes American women wish to strike me with umbrellas.
I used to come home and play piano all day by ear and make songs up or figure out my favourite Elvis songs. I'd make up games by blindfolding myself and singing the harmony to whatever notes I'd play.
Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters ... but then her courage left her, and she ran back to her bed, sobbing.
I still remember the day I had met Bijoya Boudi during the making of 'Apur Sansar.' The earliest memories I have of her are she doing up my hair and helping me to tie the sari. There are so many days when she would dress me up for the shoot.
Mum prayed to the Lord that when her children were born they wouldn't be tone deaf. Mum says at two years old I was singing my own little songs, she didn't know where I'd heard it so I must have made it up. I used to sing along with the radio.
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
So when I was working with Amy Winehouse on "Back To Black," you know, she had all these beautiful songs, incredibly well-written and just her on an acoustic, nylon-string guitar. And she'd play them for me, and then I would kind of drum up my idea of what I thought - make a demo with what I thought the drums should be doing, the guitars - like, quite a crude demo.
Occasionally I play the music for my mother when she demands to hear it and she always just says, 'Who is that singing? I don't like the singing.' And then she says 'Who's doing all that bumpety-bump noise?' It's all noise backing up horrible singing as far as she's concerned. She's not a show-biz mother.
I just don't like the idea of her singing my songs. Who the hell does she thinks she is? The world doesn't need another Streisand! (on Diana Ross)
Mother Teresa was a hero of mine for a long time. I just like the way she took on the world from a very humble place. She has a great quote. When she was leaving her monestary to start Sisters of Charity, she had two pennies. She was asked by a head priest what she could possibly do with two pennies. She said, 'Nothing. But with two pennies and God, I can do anything'.
It's not forever', she'd said, but to my mother, it might as well have been. She had make her choice, and this was it, where she felt safe, in a world she could, for the most part, control.
On the other hand, she was a women with a million happy memories, who knew what it was like to experience true love and who was ready to experience more life, more love and make new memories. Whether it happened in ten months or ten years, Holly would obey Gerry's final message. Whatever lay ahead, she knew she would open her heart and follow where it led. In the meantime, she would just live.
And the thing about me is, I have a lot of mellow songs, because they're the easiest for me to write. I wanted to try to make some more upbeat songs, so, I ended up gravitating toward writing songs with friends, which was a great learning process, and also we came up with great songs. Those are the songs that came out the most naturally.
I would have to say Björk is my dream collaboration. She's just such a character and has such a spirit that is unlike any other artist out there. She's literally on a whole 'nother planet. She's consistently changing and evolving and doing these different wild things with her songs. I think I could learn a lot from a person like that.
When she (my mother) passed away, I kind of understood the commitment that she made to make sure that I could stay in skating. And I wanted to live up to whatever I could. Not so much win everything, but just to be the best that I could possibly be, to honor her memory and everything she went through to make sure that I was given the opportunities to be the best that I can be. Not to be a world champion or an Olympic gold medalist, but to be the best that I could be. And that was the most important thing that ever happened in my career.
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