A Quote by Blythe Danner

It was in high school that I first became interested in acting. We put on lots of plays. — © Blythe Danner
It was in high school that I first became interested in acting. We put on lots of plays.
I've been acting for years and years, at prep school - school plays, that kind of thing. That was always very high on my agenda. I went to study English for two reasons. Principally because when I was in university, studying drama wasn't considered an option. You couldn't get a degree course for it. And so many plays and things that I was interested in landed themselves in a broader spectrum of literature.
I actually wanted to be a police officer like my dad for the longest time, up until my sophomore year in high school when I started doing plays. I did plays when I was little, but in high school, I started getting into acting.
A lot of the best acting training I had was in junior high and high school. We had very demanding directors and did real plays. You put our plays up against any theater troupe of any age, and they usually did pretty damn well.
When I was at school, I wanted to join the army. At college, I started acting in college plays, and it became a kind of addiction. I was very shy when I was at school, but the plays seemed to give voice to my feelings.
I didn't always want to act. My passion was writing, and it still is one of my primary passions to this day, but it wasn't until high school when I started acting in plays that it became a thought of something I might want to do. And when I applied to colleges, at NYU, I was able to study both writing and acting.
I drifted into acting. My grandfather had a house in Buffalo in which there was a stage, and his friends met every two weeks or so to put on plays. So it was natural for me to put on plays, too, when I went to boarding school. I put on everything in the drama - I was indiscriminate. I put on Yeats and Shaw and Lady Gregory.
I was always drawn to performing. I took improv and acting classes during the summers and was involved in middle and high school plays. But when I discovered indie and punk music in high school, those things sort of took over.
When I was in high school, I was doing all the plays. My drama teacher, Melody Duggan, was the one one who first made me do stand-up. She's the origin of the whole thing; it's all her. In high school in Denver, that was kind of the beginning of it all.
I was always interested in the arts as a child - drawing, painting, and piano - but acting became a favourite. I was a major theatre geek in high school - if I wasn't in the drama room at lunch rehearsing, I'd be in the art room finishing up some type of project.
When I was in high school, they opened an arts high school. I didn't read music, and I wasn't a trained dancer, so I was like, 'OK, I guess I'll go into acting.' I asked my mom if she knew any plays for my audition, and the only one she knew was 'A Raisin in the Sun.'
As a kid, I was into music, played guitar in a band. Then I started acting in plays in junior high school and just got lost in the puzzle of acting, the magic of it. I think it was an escape for me.
Growing up, I was always in my high school musicals and everything, but I kind of stopped doing all that when I finished school and acting became my main priority.
I was one of the only ones there interested in acting. You find when you're doing school plays that a lot of people there were on punishment, or something.
While I was there I became deeply interested in photography, and indeed the most noteworthy event in my early life was winning first, third, fourth and seventh prizes in an international competition for college and high school students.
Then, in high school, I had a kind of mental breakdown; I didn't want to go to school anymore. It felt pointless. It was around the same time that I became really interested in music.
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
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