A Quote by Bo Burnham

I think no matter what you do, a certain amount of people are going to call you a sellout, somehow, you know. If I ever start trying to make a living on it. — © Bo Burnham
I think no matter what you do, a certain amount of people are going to call you a sellout, somehow, you know. If I ever start trying to make a living on it.
It's never a matter ever, ever - are - we're never trying to gross anybody out, or ever are we trying to shock people. We're just trying to make it funny in a way that makes the audience go, 'You know, that was the first joke they thought of, and they weren't afraid to do it.'
Usually I'm trying to work with people that I've worked with before, so we have a certain amount of know-how and what we're going to do together.
First of all, when building a brand you have to know who you are, what you are, and what you stand for. That's clichéd marketing-bullshit jargon, but it does matter. It helps. You have to know who you're targeting. I think too many people fight the market. There are certain people who are never going to want your stuff no matter what you do. There are certain people are never going to love me because I curse and I have bravado and I'm a Jersey boy and I'm brash and they won't take the time to see the humility and the patience and the truth. They shouldn't.
I think I've been fortunate enough to have a fairly long career and hopefully I'm at the middle of it now. And I think I'm starting to develop a certain amount of experience and a certain amount of wisdom about kind of what really matters and what doesn't matter.
Sometimes, in certain stories, I think we know at the outset essentially what the tone is going to be, or it becomes important that we're groping toward some kind of story with a certain kind of tone that we both get somehow. But I don't think how that's combined with other elements is ever in any way overtly discussed.
There's a certain amount of empathy you need to have, and I've also never been one to call it in. I know some roles are easier for certain people, especially when there's the sequel and a third and a fourth one.
People equate success with youth. And if you haven't had a certain amount of success by a certain time in your life, it's never going to happen. There's a fear about that. So people start lying about their age really young. I've never done that because I think it's so insignificant.
I hate to say it because I think people are risk averse these days more than ever. Before they even pick up the phone, they know what the picture's going to be. So there's a certain comfort in that, a certain security that they can lay out the cover of the magazine and kind of know what it's going to be.
Strictly speaking, no activity and no industry is possible without a certain amount of violence, no matter how little. Even the very process of living is impossible without a certain amount of violence. What we have to do is to minimize it to the greatest extent possible.
I hope that one day I will gain power somehow, and somehow convince myself that there is still hope and go back and fight, people who's trying to make that place worth living for both Jews and Palestinians.
For me personally, I'm constantly trying to really re-negotiate how I'm going to make a living because I can't make a living solely off editorial. And I'm also still trying to tell long feature stories that are harder and harder to get assigned, you know.
When people see you do alright, then you start winning their hearts. It's not going to come easy, though. It doesn't matter how many people you do right, you're still going to be hated by so many others. You can't live your life trying to make everybody happy.
To sustain a career in show business, you have to have a certain amount of delusion, because it's such an insane way to make a living. The idea that you're going to say, "Oh, I think I deserve to be paid attention to, and people should listen to what I have to say, and everybody should look at me," that's a little bit delusional in a way.
Isn’t there a time or two you can remember when somehow an animal you’ve hunted has done something to make you let him vanish in the woods? … Isn’t there a bird or covey that somehow always manages to catch you with your gun on safe — even when you know it’s there? “I think we all know times that for almost certain we gave the hunt to the quarry.
I never had a problem with a coach in my life, no matter what team I've been in on.I put that on myself because I let that space and opportunity start something especially when people didn't know what was going on or people are trying to find out or figure out what's going on with the team.
I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.
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