A Quote by Bo Burnham
Comedy doesn't really matter that much; I know that. I treat it like an adult - I don't treat it like a child or a god, which some people do. This might just be in America, but 'stand-up comedy' is something very particular that I don't particularly relate to.
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If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
It's best, I think, to treat stand-up comedy on the telly like tapas: small tasters of something you'd love a proper plate of.
I'd love to do some comedy. Particularly French comedy, which I know sounds like a contradiction in terms.
As a woman, she [Penelope Cruz] obviously has changed as she has become an adult. But, as an actress, I actually might say that she has not changed that much. And she has something great, especially in comedy, and she hasn't been exploited as much as she could be in comedy, but particularly in that mix between comedy and drama. She's got a very special quality about her. You can place her in very extreme situations, especially very painful situations, in terms of how her character interprets it. And sometimes, the deeper and more human that pain is, the better she is at it.
I'm pretty much fixated on certain themes. Family, but it's family of choice as much as family of blood. Individuality, yes, but not at the cost of others' happiness. Be true to your friends. Remembering to find some wonder and hope in the world. Basically it boils down to: treat people like you'd like them to treat you, leave the world a little better than it was when you got here, respect others and stand up for those who can't stand up for themselves.
I was not one of those people who wanted to be a comedian when I was growing up. I liked comedy, but didn't know it was something you could do for a living. I actually wanted to be an attorney. I did do things on the side like improv and sketch comedy, but law was my focus. I was a very bookish, academic kid. When I got out of college, I was really unhappy. I had a great job that I should have loved, yet I was miserable. I slowly realized that was because I wasn't performing. So I just tried stand-up and fell in love with it after one performance.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
When I started stand-up - and this is in the '90s - there was definitely people hadn't watched decades of Comedy Central, where people are really much more educated on stand-up comedy.
Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.
The word 'supportive' has no place in stand-up comedy. I hate when people are like, 'Support female comedy.' That's not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn't group them together like that.
It's just if one person says anything it becomes click bait and then they start talking about the comedy climate which is hilarious, so no. You know what it is? People are adults and they know they're at a comedy show but every once in a while somebody isn't an adult and then for some reason, you know, it's lazy reporting. They're trying to create this thing that isn't happening. It's not like people go in there and are just sitting with laptops open getting ready to blog about every stupid joke.
I liked horror and comedy, basically, from a young age, but I just ended up getting into comedy because there was - I could do stand-up comedy, and that was my way into this business, and then there was no stand-up horror, and I didn't know how to get into that world.
The core of the film is usually something very emotional and something that feels really real that you can relate to, it's not like done in a false way. You know a lot of films will treat emotion falsely and you can sense that very quickly.
The crowds treat me like my last name. When I go onstage people usually stand up, I never ask them to, but they do. They stand up and they don't know how much I appreciate it.
It's very hard to find a good comedy. I prefer doing comedy far over anything else because I think they're actually more profound. But finding a good one and a great ensemble is very difficult to do and I'm delighted that in these particular times there is so much interest in comedy and that comedy is having so much success.
A rap is a tweaked version of comedy, because comedy came first. People weren't spitting before they were doing comedy. Comedy has been relevant for years. It's the same art form, pretty much. Discovering that and applying it, I think that has made my stand-up better.
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