A Quote by Bo Derek
Horses are a symbol of America and can be marketed that way overseas.
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Statistically in the UK, there are so many fewer female composers than male songwriters and they're marketed in a way that - females are marketed in a way that they're these independent unique artists writing their own stuff, and they're not, because fourteen percent of PRS goes to women.
It seems to me the Washington Monument is a symbol of America's power. It has been the symbol of our great nation. We look at the symbol and we say 'this is one nation under God.'
I never really marketed myself, so each job I was given was a new marketing tool, and that would be the way I marketed myself.
You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is.
Since coming back from overseas, this is more of a foreign country than the places overseas. I don't understand it. It's like America has lost faith in rational thought.
America is a symbol of freedom - it's a symbol of democracy - and if that is threatened, we have to take this platform and use it to be a voice for the voiceless.
Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
Today, if you're an American business, you actually get a benefit for going overseas. You get to defer your taxes. So if you're looking at a competitive world, you say to yourself, "Hey, I do better overseas than I do here in America".
With horses, familiarity breeds comfort. If you haven't been around horses for a while (or ever), the best thing to do is to go to the racetrack, a horse show, a rodeo, or some other horsey activity, and watch the horses. Familiarize yourself with the way they move and behave themselves.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
I think America the symbol and America the notion are still very different from America the nation. What's touching and almost regenerative is that whatever is happening in the reality of America, where there is a murder rate worse than Lebanon's and where there is so much homelessness and poverty, still America will be a shorthand throughout the world for everything that is young and modern and free.
The reality is when you make 'America First' a bumper sticker and pump it overseas, what you're telling them is 'America Only'.
America is a very venal place; everything has to be sold there. You can repackage your own s**t and sell it if it is marketed in the right way. The motivation is to sell. It's so illogical and strange to me. It's such a disposable culture and yet I feel comfortable being American.
Since humans first huddled around campfires, stories have been told of wild horses with wind in their manes, fire in their eyes and freedom in their hearts. Those horses eluded capture, and scorned the comforts of civilization. Americans have insisted they want their wild horses to live that way, forever.
It seems to me the Washington Monument is a symbol of America’s power. It has been the symbol of our great nation, we look at that monument and we say this is one nation under God.
The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything which is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people.
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