A Quote by Bo Derek

I think we all have this image that we're going to be the hold-out and show what 51 really looks like, but I could wake up tomorrow and say, 'Okay, enough of this.' — © Bo Derek
I think we all have this image that we're going to be the hold-out and show what 51 really looks like, but I could wake up tomorrow and say, 'Okay, enough of this.'
None of it seems real. Who knows? Maybe it isn’t. Maybe it’s actually happening to someone else. Maybe it’s something I imagined. Maybe soon I’m going to wake up and find everything fixed with Lissa and Dimitri. We’ll all be together, and he’ll be there to smile and hold me and tell me everything ‘s going to be okay. Maybe all of this really has been a dream. But I don’t think so.
I think even like Saddam Hussein or Hitler would wake up and say, "I think it's going to be a good day. I'm gonna do some really important work." And given their definition of good, they went out and did horrible things.
It's hard to think back. I didn't even know I was going to do it, make actual records. But I was always making up songs, once I figured out that you could do it. I think it's pretty much the same, but there's less urge to get it moving out there. There was a time when it seemed like it was really super important to the audience and now it's just medium-important for people to like us. But that's okay.
I think there are a lot of things out there that are humorous that people don't realize until you actually show them what is going on. Saran Wrap for one thing. You know, you could pull enough of that out of the box and it will actually kill you. It will get a hold of you, stick to you, and choke you to death.
Like everybody in show business, you think you're going to wake up one day, and it's all going to be taken away from you. I think we all share an insecurity in that way, everybody in show business - the ones I talk to, anyway.
I almost literally wake up in the morning starting to think of my next idea. It's almost always driven by what's in the news. The hard part, really, is getting from knowing what I want to say to figuring out how to say it in an image. I'm still not entirely sure how to explain how that happens... Suddenly, something just works.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
There's definitely been some songs in the past that we've put out, and it was purely us going, 'Okay, we think radio will play this. We think this will be a hit. This will be big for the show,' and all this stuff. But it's like, do you really believe in it?
I think it's quite common and realistic. There are many stories like this [in Waitress]. [Jenna, my character] marriage looks really horrible up on the screen but I think there are a lot of people in bad relationships who wake up and think to themselves: "Wow, how did I end up here? Why am I still here and so unhappy and not satisfied with my life?"
America is just so weird in what they think is right and wrong. Like, I was watching 'Breaking Bad' the other day, and they were cooking meth. I could literally cook meth because of that show. It's a how-to. And then they bleeped out the word 'f__k'. And I'm like, really? They killed a guy, and disintegrated his body in acid, but you're not allowed to say 'f__k'? It's like when they bleeped 'molly' at the VMAs. Look what I'm doing up here right now, and you're going to bleep out 'molly'?
In 10 years, I don't really know what I'll be, and I like not having any idea. I like the idea of being so passionate about everything I do and the fact that I might wake up tomorrow and say 'I want to be a chef,' and just pour myself into that.
I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.
Waking up is unpleasant, you know. You are nice and comfortable in bed. It is irritating to be woken up. That's the reason the wise guru will not attempt to wake people up. I hope I'm going to be wise here and make no attempt whatsoever to wake you up if you are asleep. It is really none of my business, even though I say to you at times, "Wake up!" My business is to do my thing, to dance my dance. If you profit from it fine; if you don't, too bad! As the Arabs say, "The nature of rain is the same, but it makes thorns grow in the marshes and flowers in the gardens."
I think it was a big revelation to me earlier in my life that people who appear to be evil are actually not. In other words, nobody wakes up in the morning and says, "Yuck, yuck, yuck, I'm gonna be evil." I think even like Saddam Hussein or Hitler would wake up and say, "I think it's going to be a good day. I'm gonna do some really important work." And given their definition of good, they went out and did horrible things.
What I would say to young women is: Pay attention to the real. Pay attention to what you're really thirsting for. What do you really want? And I think that's much harder to decipher in a culture that has no interest in it. What interests me is, are we going to wake in time? Are human beings going to wake up to ourselves, to the incredible poverty that's on this planet, to what we're doing to the earth, to what we're doing to women, to what we're doing to boys? That's what's important.
The measure of our mindfulness, the touchstone for sanity in this society, is our level of productivity, our attention to responsibility, our ability to plain and simple hold down a job. If you're still at the point when you're even just barely going through the motions--showing up at work, paying the bills--you are still okay or okay enough. A desire not to acknowledge sadness in ourselves or those close to us--better known these days as denial, is such a strong urge that plenty of people prefer to think that until you are actually flying out of a window, you don't have a problem.
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