A Quote by B.o.B
If you break up with your partner, go straight to the studio. You're going to make great music.
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There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I thought I was going to be a rapper as a kid and used to hop the train down to Jazzy Jeff's studio for, like, six months straight waiting outside of the studio for the big break, and one day we got in the studio and played our demo for Will and Jeff and quickly learned that we weren't that good.
I write pretty often. I have a home studio. Music is what I do for fun. I never get tired of it, so to take a break from [TV and movies], I would go make some music.
It's not like I go into the studio and say I'm going to try to make music to prove to somebody that I can make music.
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
I think people can just make things now. It's kind of what happened with the music industry. Before, a band couldn't afford to go into a nice studio, or if they were going to go into a nice studio, they had to record twenty-five songs in two days. That's not a healthy workflow for anyone.
When you are dancing with your partner, for that two and a half minutes, you are in love with each other. You're
corresponding with each other by the moves that you make. It's a love affair, between you and your partner and
the music. You feel the music, you feel your partner, she feels you and she feels the music. So there the three of
you are together. You've got a triangle, you know. Which one do you love best?
There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.
An ex-girlfriend once got upset when I told her that music is the most important thing in my life. It's more important than anyone else could ever be. I don't want to be overly dramatic and say it's the only thing that gets me up and keeps me going. But people in your life come and go. As you go through your life, you make friendships, you break friendships, you have relationships. Music is the one thing I've always been able to rely on.
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
The hardest part about what I do, the most vulnerable place is my relationship with my family and Sara, my amazing partner, because I'm leaving a lot. And as a touring artist, I'm constantly coming and going, but also when I'm at home, my studio's at home. I'm leaving to go into a music world in my head.
It's great being a dad. It's like anyone, if things aren't going well at work, and you go home and see your missus and kid, then it cheers you up straight away.
You just can't help but sort of think that your life and your career are going to go straight up, up, up.
I have always felt that my career was not going to be a straight shot up, but more of a kind of rolling wave, so that I could raise my children. So I got pregnant when I was the head of production at a studio, and I became chairperson at a bigger studio when I was pregnant with my second daughter. You just do it!
The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.
Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.
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