A Quote by Bob Baffert

These horses don't live in a bubble. They're in an open farm. People are touching them. — © Bob Baffert
These horses don't live in a bubble. They're in an open farm. People are touching them.
My family and I reside on a non-working farm, although we have a couple of horses and the usual stuff like pigs, cows, and chickens. We really don't have an honest-to-goodness farm, more of a hobby farm.
If I were to leave the U.S., I'd live in England. But I'd never leave the U.S. I own a 400-acre farm in Macon, Georgia. I raise cattle and hogs. I own horses, too. I love horses as much as singing. I like to hunt on horseback.
Fans of the hit HGTV show 'Fixer Upper' are well aware that its stars, Chip and Joanna Gaines, live on a farm in Waco, Texas. Nearly every episode features some kind of montage of their four kids romping outside with various kinds of farm animals, from pigs to horses to goats.
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks.
You can go back to tulip bulbs in Holland 400 years ago. The human beings going through combinations of fear and greed and all of that sort of thing, their behavior can lead to bubbles. And it may have had and Internet bubble at one time, you've had a farm bubble, farmland bubble in the Midwest which resulted in all kinds of tragedy in the early '80s.
A farm includes the passion of the farmer's heart, the interest of the farm's customers, the biological activity in the soil, the pleasantness of the air about the farm -- it's everything touching, emanating from, and supplying that piece of landscape. A farm is virtually a living organism. The tragedy of our time is that cultural philosophies and market realities are squeezing life's vitality out of most farms. And that is why the average farmer is now 60 years old. Serfdom just doesn't attract the best and brightest.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
Lynyrd Skynyrd has always been a bunch of rowdy, crazy people, but we love our fans, and that's what the music is all about: touching them. Touching them touches us.
Am I happiest on the farm or out in the middle? I am a cricketer, but the farm is a very special place and I absolutely love being in the countryside and getting away from the bubble. I like to think I'm a farmer, but there's so much experience that goes into that.
I'm used to riding horses. My father used to breed horses when I was a child. I grew up in Tipperary, in the country, and lots of people have horses there. If my parents hadn't been in the business, we would have them anyway, as pets. And my cousin Richard is a jockey.
Basically, actors arrive in a bubble. They have a little sealed bubble around them and it's basically [comprised of] their agents, their last film, their next film, their press agent, and their per diems - all these things, they cocoon themselves with and you have to puncture that bubble on each of them to make them be in your film.
There are horses people use for competition, and if they don't perform well or go lame, then people ask the vet to put them down to get the insurance money. And my vet knows I love horses, so he gives them to me.
In the 1970s, I bought some cheap horses, then decided that if I was going to be in it, I was going to go big time. So in 2001, Bill Casner, a partner with me in Excel, and I bought a breeding farm, WinStar Farm, together.
Farm country -- you know, hay, horses, cattle. It's the ideal situation for me. I like the physical endeavors that go with the farm -- cutting hay, cleaning out stalls, or building a barn. You go do that and then come back to the writing.
When you're not as accessible, you get in a tent and get in your own head, and you start doing things that are a little out of touch. I think we've seen it happen with certain artists... people can't touch them; they're not touching people. They're only touching people in their circle.
Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
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