A Quote by Bob Baffert

When I got a call to see if I wanted a Derby horse, I said, 'Damn!' — © Bob Baffert
When I got a call to see if I wanted a Derby horse, I said, 'Damn!'
I got on a horse when I was about 12 years of age, and started galloping around. my mother came up said "where did you learn to ride a horse?" I said "this is the first time I've ever been on a horse" I just knew, I just felt the horse.
To win the Kentucky Derby is the goal of every trainer, every hot-walker, every backside person. They may be just rubbing on a horse, or hot-walking a horse, but they wonder if they could win the Kentucky Derby.
I was driving along and I got a random call on my way to my mother in law's for dinner and it was Drake. He wanted to help and he said he'd do anything to get 'Top Boy' back on screens and then got a call from Netflix, who wanted to do the show. For U.K. culture, it's a huge thing.
I have walked into several pubs, and guys in there have said to me, 'My God, you are the girl off the dancing horse.' They have got no idea about dressage, and they said, 'I can't work out whether you make the horse do that or the horse does it itself - we just couldn't tell - but it brought tears to our eyes.'
...You have to pass an exam, and the jobs that you get are either to shine shoes, or to herd cows, or to tend pigs. Thank God, I don't want any of that! Damn it! And besides that they smack you for a reward; they call you an animal and it's not true, a little kid, etc.. Oh! Damn Damn Damn Damn Damn!
I've won the Derby with the best horse and I've lost the Derby with the best horse.
The horse that wins the Derby is usually the best horse.
Sometimes in a derby it is not always easy to see a very good game with big quality but the power of one derby means you can see good things happen after one result.
You said i could call you when i wanted but that you wouldn’t call me. you have to decide where and when, you said. if you leave it up to me i’ll want to see you every day. At least you were honest, which is more than i can say for me.
He’s sort of a homeless horse,” I said. “I’m leaving for the airport in two seconds, and I won’t be back for a couple days. You can put the horse in the garage, but I don’t want that horse in my apartment.” “Who would put a horse in an apartment? That’s dumb.” “Where’s the horse staying now?” “My apartment.” “I can always count on you to brighten my day,” Ranger said. And he disconnected.
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
I got a job at Metro and went in to see Louis Mayer, who told me he wanted me to be a producer. I said I wanted to write and direct. He said, "No, you have to produce first, you have to crawl before you can walk." Which is as good a definition of producing as I ever heard.
Dr. McDreamy, that's what I call Patrick's character. He's gorgeous, he's got a great body and he's got damn fine hair.
I'm fine," [her dad] said gently. "Back on the horse, Cath.' 'What's the horse?' she sighed, watching him pull on a South High hoodie. 'Jogging? Working too much?' 'Living,' he said, a little too loud. 'Life's the horse.
I've never been sentimental about my horse. The horse doesn't give a damn about you. If you want to know the truth - horses are dumb.
I received a phone call; my agent got a phone call from Ryan Murphy saying he wanted to talk to me... And he basically outlined 'American Horror Story' for me and said that there's a character named Larry the Burn Guy, and I'd like you to play it.
This site uses cookies to ensure you get the best experience. More info...
Got it!