A Quote by Bob Balaban

I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.
The first movie I produced was a movie that Joel Schumacher wrote and directed called 'Amateur Night at the Dixie Bar and Grill.'
I never acted in anything I've directed but I have produced a number of films and I have acted in some of the movies I've produced. Usually with first time filmmakers and pushing a move forward I have played a small role but never the lead.
We were doing press for this movie that my friends and I made for $5,000 called 'Brothers Justice,' that I also wrote and directed. And during the press of that, people kept saying, 'What's next, what's next?' And my best friend Nate and I - Nate produced it - we kept saying, 'Oh, we're gonna do a car-chase movie next.'
In the time since I've done 'Bad Teacher,' I've produced an independent movie and directed two pilots. So I love to do all different types of things.
I produced and starred in 'Wake the Riderless Horse,' a short film that my buddy wrote and directed.
I co-wrote and produced 'Sticky Fingers' with Catlin Adams, who directed it. I learned a lot writing and producing with Cat. I spent as much time as I could in the cutting room with her. All the producing experience that I had helped.
I made three short films of my own which I wrote, produced, directed... you did everything in those days. My favourite one was something I shot on VHS... a little documentary.
I wrote and directed a movie called 'Two-Bit Waltz.'
I wrote and directed a movie called Two-Bit Waltz.
I directed and produced Conviction, a movie about a man who spent 18 years in prison for a crime he didn't commit. I got to know Innocence Project co-founder Barry Scheck very well - he's a character in the movie - and I got very passionate about the cause. It's just so inherently dramatic.
When I wrote my first film and then directed it and I looked at it for the first time on what's called an assembly, you look at this movie which is every scene you wrote, every line of dialogue you wrote and you want to kill yourself the minute you see it. It's like, 'How did I write something so horrible?'
With acting, if a friend asked me to be in a movie or TV show, there's a lot of things on my résumé I did without reading them or knowing what they were. I just said I'd do that because a friend wrote it, directed, produced, acted in it. With directing, I'm sticking to my guns, not that a lot of people are begging me to direct.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
It was really an experience, being my first time directing a movie. The scenes that I was in, Brooke really directed me all the time. And the scenes that both of us were in, Brooke directed those. Come to think of it, Brooke directed most of the scenes.
After a few years of intensive research, we found a way to use a pulsed laser directed into a nozzle to vaporize any material, allowing for the first time the atoms of any element in the periodic table to be produced cold in a supersonic beam.
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