A Quote by Bob Balaban

I loved being in Close Encounters, just to watch Steven Spielberg working was exciting. — © Bob Balaban
I loved being in Close Encounters, just to watch Steven Spielberg working was exciting.
Steven Spielberg had a tremendous influence on me through his early stuff. 'E.T.', 'Close Encounters of the Third Kind' - 'Jaws,' I think, is one of the most beautifully directed films ever.
Stephen Hawking's been watching too many Hollywood movies. I think the only kind aliens in Hollywood are the ones created by Steven Spielberg - 'Close Encounters of the Third Kind' and 'E.T.,' for example. All other aliens are trying to suck our brains out.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
I've always loved fantasy. I've always loved sci-fi. It's not like I can list off my favorite sci-fi shows or movies, but I just love being taken into a different world. I'm a huge fan of Steven Spielberg. I'm a huge fan of George Lucas. I've always loved it.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
I was working with Tom Hanks and Steven Spielberg when I was nine years old.
The dream of doing what I do started with watching movies by Mr. Spielberg, like 'Close Encounters,' 'Poltergeist,' and 'E.T.' That was the beginning of my obsession.
Having a phone call from Steven Spielberg was just a fantastic rite of passage. I loved it, and he was very focused, very likable, strictly business, and really sharp.
I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I'm not laughing anymore, at least about mammoths. This is going to happen. It's just a matter of working out the details.
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
I've always loved action movies. The first films I fell in love with were 'Star Wars' and Steven Spielberg films.
The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.
I had done a couple of auditions for 'Amistad' and didn't feel it was going to go any further - and then the call came about heading to Los Angeles to work with Steven Spielberg. It was surreal: exciting, challenging, overwhelming.
My big break down here was working with Steven Spielberg in '1941.' It was a very small role, as Corporal Foley, who was part of the tank crew with Dan Aykroyd.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.
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