A Quote by Bob Balaban
God, I'd love to do a big commercial movie that made a lot of money and whose plot was interesting too.
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I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.
What happened on 'Mr. & Mrs. Smith,' I was given a big budget and given too many choices, and I made a lot of mistakes and missteps early on until I squandered all that extra money. But then, once my back was up against the wall, I made what I consider a really good movie.
I find that many men and women are troubled by the thought that they are too small and inconsequential in the scheme of things. But that is not our real trouble - we are actually too big and too complex, for God made us in His image and we are too big to be satisfied with what the world offers us!.. Man is bored, because he is too big to be happy with that which sin is giving him. God has made him too great, his potential is too mighty.
You can't remember the plot of the Dr Who movie because it didn't have one, just a lot of plot holes strung together. It did have a lot of flashing lights, though.
Our world is... longing to see people whose God is big and holy and frightening and gentle and tender... and ours; a God whose love frightens us into His strong and powerful arms where He longs to whisper those terrifying words, 'I love you.'
In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make. There is so much more invested in it for a lot of different people, so much money is sunk into it that they usually want some guarantee or promise that it's going to be able to do something on a financial level. There's just a lot more messing with you in film. I love movies and I love to watch movies and being a part of the whole film experience.
Having a big budget, I have no problem with spending the movie. It's fantastic to have a big budget. It gives a lot of time. It gives a lot of freedom. What's difficult is raising the money beforehand, and then when the investor wants the money back, afterwards.
I have an issue with the commercial aspect of moviemaking: I don't see why a movie can't make a lot of money and also be good.
I would love to do a big studio movie, just because they're going to put the money into distributing it. A lot of times you do these little movies, you love them and they never get seen by anyone.
I went to a few really bad commercial auditions because I needed the money, and when you booked a commercial, your life was made: you could eat.
I have a real passion for playing a role that's a strong female character, that's just not typical, with a lot of heart, not an easy sell of a movie, not real commercial. It doesn't have to be a big movie, but I'm just looking for something that I really, truly, 100 percent believe in and am behind.
It's interesting because First Wives Club was the first movie that made a shitload of money that starred all women over a certain age. That was a milestone that made you think, "Oh, things are going to change."
That means I gotta fly like a movie no commercial That's Young Money, Cash Money yeah I'm universal
I gladly, I voluntarily gave up the kind of commercial film career I had going as soon as I had enough money to finance my own films. I didn't make that money necessarily from the film business, but I eventually made a lot of money and that's what I do. Of course, I consider myself unbelievably fortunate, and I'm pretty content with my life.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
I can be inspired by anything. It can be from an artist, I love Georgia O'Keefe, de Kooning, Jackson Pollock, Lichtenstein, Koons- I love them all. I can be inspired by an artist, a dream, something that I pass by, I was even inspired by a commercial! A commercial of whale war- I was so sad that people were killing whales to extinction, so I made a painting of that. So I can really be inspired by a lot of things.
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